When Alice takes the Bandersnatch's eye away from the Dormouse and holds it in her giant-sized hand, the size of the eye increases from about the size of a marble to about the size of a baseball.
When the Dormouse had the eye tied to her belt, the eye should have been about the size of a baseball (the size of the Bandersnatch's other eye).
At The Mad Hatter's beheading, the executioner moves the ribbon away from The Mad Hatter's neck.
In the next shot from the beheading stage, the ribbon is in the same position it was before it was moved.
In the first scene, Charles Kingsleigh proposes to extend his business to Rangoon and Jakarta.
Batavia's name was changed to Djakarta in 1942, and Jakarta in 1972.
While Alice is riding Bayard, her wound from the Bandersnatch disappears momentarily.
When they are lining up before going into battle and are waiting for Alice to arrive, the reins of the White Queen's horse are hanging down.
The shot cuts to the White Queen and Alice talking.
When it cuts back to show the horse the reins are over the neck of the horse.
When the Hatter asks Alice if he's gone mad, she tells him he's "entirely bonkers.
" The word "bonkers" wasn't coined until after World War II.
When Alice is riding Bayard towards the Red Queen's Castle, her Bandersnatch scratch is on her left arm, when it should be on her right.
Also, the flower that the Mad Hatter had put on her dress was on the left instead of the right.
Because the film is flipped/reversed.
When Alice and her mother arrive at the engagement ball, the mother's hair switches many times from over her shoulder to behind it.
While the red and white armies are marching to the "chessboard" battlefield, the sound of their marching isn't synced with their footfalls.
During the final battle, the Mad Hatter sticks a pin cushion pin into Stayne's eye.
In all subsequent shots of Stayne, his eye shows no damage.
When Alice is jumping over the heads to get to the Red Queen's castle, she sticks her foot in a puddle, clearly getting it wet and even shaking excess water off.
However, in subsequent shots, her foot appears to be completely dry.
When Bayard meets the White Queen, after he left Alice at the Red Queen's castle, she pets him, but the shadow of her hand doesn't meet the shadow of the dog.
When Alice eats the sweet bar labeled "Eat Me" to get herself enlarged and be able to pick the key from the table and starts growing.
The camera first takes the shot from up and her thighs can be seen coming out of her skirt as she grows bigger.
The shot continues from the front and it shows the dress getting shortened again from the knees and her thighs coming out.
Right before Alice rides up to the White Queen on the Bandersnatch, the Queen has steps next to her horse, presumably to help her climb on.
However, when they begin to march away to battle, the stairs simply disappear and the Queen is on the horse.
Who moved the stairs? After riding Bayard to the Red Queen's castle, Alice has to jump onto floating stone faces to get over the moat.
On her final jump, there are several faces left to get to the other end, yet after jumping she ends up on solid ground on the other end.
Alice unlocks the tiny door when she first finds the key.
The door magically closes but we don't hear it lock and we don't see Alice re-lock it.
It is locked after Alice drinks from the bottle.
When Alice is riding Bayard to the Red Queen's castle, the wide shots show the dog's back moving wildly up and down with Alice.
In the closeups of Alice, she is hardly moving up and down at all.
- PLOTWhenever Alice changes size, the Dormouse remains the same height in proportion to Alice.
The White Rabbit is shown in at least one scene with pads on his feet like a dog or cat.
Real rabbits do not have pads on their feet, nor do they wear waistcoats, obsess about time, or get involved in politics.
But as this is a fantasy rabbit, it is entirely feasible.
When the White Queen and White Rabbit ask for champions, the Rabbit rolls out the scroll to show the crowd that it must be Alice.
When the shot returns to the Queen and the Rabbit, the scroll is rolled back up at the top of the steps.
When the shot returns to the crowd, the scroll is unraveled.
When Alice climbs back up out of the rabbit hole, the estate where her party is being held is visible in the background.
Many of the guests appear to be dancing, yet when Alice returns to the gazebo, all of the attendees are waiting for her exactly as she left them.
While looking at the scroll, the Red Queen says she would recognize Alice anywhere by looking at her hair.
Yet when Alice is in her castle under the name Um, why doesn't the Queen realize it's her? It is entirely within the Queen's character to claim she would recognize Alice, and then later not actually do so.
She also believes that all of her court members have overly large features when the rest of the characters know they are fakes.
There are multiple evidences throughout the movie that the Queen is easily deceived.
Lumiere Award |
Best 2D to 3D Conversion |
Annie |
Best Character Animation in a Live Action Production |
Excellence in Production Design Award |
Fantasy Film |
AFI International Award |
Best Actress |
ACCA |
Best Achievement in Visual Effects |
Best Costume Design |
BAFTA Film Award |
Best Costume Design |
Best Make Up & Hair |
Best Production Design |
Best Special Visual Effects |
BMI Film Music Award |
Film Music |
Critics Choice Award |
Best Art Direction |
Best Costume Design |
Best Makeup |
Best Visual Effects |
CinEuphoria |
Best Make-Up - International Competition |
Best Special Effects (Sound or Visual) - International Competition |
Best Supporting Actress - Audience Award |
Top Ten of the Year - Audience Award |
CDG Award |
Excellence in Fantasy Film |
Gold Derby Award |
Art Direction |
Costume Design |
Makeup/Hair |
Visual Effects |
Golden Schmoes |
Biggest Disappointment of the Year |
Most Overrated Movie of the Year |
Worst Movie of the Year |
Film Award |
Best Supporting Voice Actor |
Best Supporting Voice Actress |
IFMCA Award |
Best Original Score for a Fantasy/Science Fiction/Horror Film |
Film Music Composition of the Year |
INOCA |
Best Costume Design |
Best Makeup and Hairstyling |
Silver Ribbon |
Best 3D Film Director (Regista del Miglior Film in 3D) |
Sierra Award |
Best Costume Design |
Best Score |
Best Visual Effects |
ALFS Award |
British Supporting Actress of the Year |
MTV Movie Award |
Best Movie |
Best Villain |
OFCC Award |
Not-So-Obviously Worst Film |
OFTA Film Award |
Best Costume Design |
Best Makeup and Hairstyling |
Best Production Design |
PFCS Award |
Best Costume Design |
Best Live Action Family Film |
Best Visual Effects |
Rembrandt Award |
Best International Actor (Beste Buitenlandse Acteur) |
SDFCS Award |
Best Production Design |
Best Score |
Satellite Award |
Best Art Direction & Production Design |
Best Costume Design |
Best Original Song |
Best Visual Effects |
Scream Award |
3-D Top Three |
Best Director |
Best Fantasy Actor |
Best Fantasy Actress |
Best Fantasy Movie |
Best Supporting Actress |
Breakout Performance - Female |
The Ultimate Scream |
Teen Choice Award |
Choice Movie Actor: Fantasy |
Choice Movie Actress: Fantasy |
Choice Movie: Breakout Female |
Choice Movie: Fantasy |
Choice Movie: Female Scene Stealer |
Choice Movie: Fight |
VES Award |
Outstanding Compositing in a Feature Motion Picture |
Outstanding Visual Effects in a Visual Effects-Driven Feature Motion Picture |
WAFCA Award |
Best Art Direction |
WIN Award |
Actress Feature Film |
World Soundtrack Award |
Soundtrack Composer of the Year |
Taurus Award |
Best Overall Stunt by a Stunt Woman |