Date | Area | Gross |
---|---|---|
15 July 2017 | USA | USD 36,877 |
11 June 2017 | USA | USD 38,204 |
5 June 2017 | USA | USD 38,048 |
The Michael Powell Award for Best British Feature Film |
Best Film |
Emden Film Award |
Best Film |
Hollywood Music In Media Awards (HMMA) |
Best Original Score for Feature Film |
Date | Area | Gross |
---|---|---|
15 July 2017 | USA | USD 36,877 |
11 June 2017 | USA | USD 38,204 |
5 June 2017 | USA | USD 38,048 |
It has this particular atmosphere and fantasy world and it felt like your experiencing a new world for 90 minutes.
Beautifully filmed, sweet characters but....Formulaic, predictable, try-hard, obvious.
Let's get one thing out of the way first it does contain several clichés, but quite honestly, when the end result is a beautifully assembled package such as this, you would truly need to have a heart of stone to adopt the sneering tone displayed by just a tiny minority on here. No guns, no violence and no swearing, just a beautiful, bitter-sweet, heart-warming story told in the true British way.
The title says it all & more. I'll just add, uplifting, inspirational, emotional.
This was like watching an English language remake of Amelie. The lighting, the music.
In 1978 I traveled to several European countries. In England I stayed in a 3 star hotel (I don't remember the name) on a street whose houses resembled the "decor" of this movie, directed by Simon Aboud.
I didn't find it funny. There seemed to be very little depth to character relationships and story development.
Don't listen to the film school drop outs that condescendingly trash this movie. It's good, refreshing, and so what if there were some predictable moments (like the twin).
I'm actually glad Charlotte from Harlots got with mechanical birds guy in the end and not Vernon. It was wholesome.