The Love Factor
The Love Factor (1969)

The Love Factor

4/5
(76 votes)
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It's another cold snowy winter day here so I once again took advantage of our Amazon Prime subscription and picked a flick. This time I watched a film from 1969 called 'zeta one' (aka 'The Love Factor').

I believe I first became aware of this sci-fi/sexploitationer via the biography for actress Valerie Leon included among the extras on the Anchor Bay DVD of Hammer's superior BLOOD FROM THE MUMMY'S TOMB (1971); incidentally, the film under review was made by rival company Tigon.To begin with, the script was apparently inspired by a comic strip (such cinematic adaptations were all the rage at the time – no doubt, the makers were encouraged by the success of BARBARELLA [1968]).

Years ago i purchased this drive in double feature from the company; sinister cinema,the 2nd film is;when women had tails(70)it also features all the drive in intermission countdowns,snack bar stuff,etc; anyway zeta one(titled love factor on this double bill)is a fun James bondish spoof from 1969,it features lots of soft core nudity,and psychedelic images.its about an amazon like race of scantily clad superwomen that must fight enemy agents and such,robin hawden(when dinosaurs ruled the earth)is a secret agent like James bond who discovers the amazon race and helps them.

This has got to be one of the silliest films I have ever seen. You watch it and you have no idea what it's supposed to be!

Slow at the start. Be patient.

Surely one of the most tatty, inept, and certainly most bonkers productions from a British studio since 'Fire Maidens From Outer Space' over a dozen years previously, it seems Zeta One was originally planned on a considerably more ambitious scale, only to soon run into financial trouble.John Hamilton, Tony Tenser's indispensable chronicler, reveals that construction work on the studio had still not been completed during shooting.

The British production company Tigon, which enjoyed success from the mid '60s to the mid '70s, has a lot to answer for. As well as acclaimed classics like Reeves' WITCHFINDER GENERAL and Polanski's REPULSION, they released a glut of B-movies in the horror and exploitation genres most of which are must-sees for the British cult fan.

This is one of those "so bad, it's good" movies that you encounter from time to time. Admittedly, it doesn't start 0ff very promisingly, but it gradually gets down - or rather gets off - to business, although the "business" is periodically interrupted by Charles Hawtrey (presumably he was not required on the "Carry On" set that day) and James Robertson Justice (obviously not one to rest on his laurels but willing to pick up any assignment, no matter how trite!

A very disjointed British exploitation flick...Which as other reviewers have said seems to have had production troubles...

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