The Apartment
The Apartment (1960)

The Apartment

3/5
(16 votes)
8.3IMDb

Details

Cast

Goofs

The frozen daiquiri in the cocktail lounge melts, reforms, and melts again.

A week-old strand of spaghetti on Baxter's tennis racquet is still soft and pliable.

Fran's hair keeps shifting and changing during the gin rummy game.

Baxter gives Fran coffee to drink.

The coffee is freshly made and so it's boiling hot, but she drinks it quickly, as if it had been sitting around for some time.

After Bud finds out that Ms.

Kubelik was with Mr.

Sheldrake, he leaves wearing his new hat, leaving his old hat behind.

Later that night when he arrives home with the woman from the bar, his old hat is on the hat rack on the wall.

During the opening pan of the New York skyline with the United Nations Building in the foreground, the shot is actually a "mirror-image" of the actual scene.

At the very end of the film, Baxter and Fran sit down to play a game of Gin.

This game is played with 10 cards dealt to each player, but Baxter deals at least 13 cards to both Fran and himself before the picture finally fades out.

When telling the story of his attempted suicide, C.

Baxter pantomimes loading a revolver, even though he has specified (and we later see) that the gun he used was an automatic.

During the scene in which Fran cries in front of the mantle, you can clearly someone reflected in the TV screen sitting and watching the scene play out.

(Widescreen version only) The shadow of a boom mic is visible in the upper left portion of the screen as C.

Baxter is rushing to open his apartment door after being alerted to an odor of gas by his landlady.

Baxter's pajamas are inconsistent when he is first kicked out of his apartment.

The shaving cream on Baxter's faces changes between the bathroom and bedroom.

When Sheldrake calls the Personnel Department to get Baxter's home number after Fran's suicide attempt, he says Baxter is in "ordinary premium accounting" even though Sheldrake had already promoted Baxter to a junior executive position.

After her suicide attempt, Fran does not know she is at Baxter's place but his name must have been on the sleeping pills jar she gazed at for more than a minute.

The layout of Baxter's apartment makes no sense, especially in the context of Dr.

Dreyfus's apartment.

Dreyfus lives next to Baxter, which means their walls should be adjoining the full length of both flats.

But from inside Baxter's living room one can see windows in both his kitchen and bedroom facing directly where the Dreyfus apartment should be (and there would likely be a window in the bathroom between the kitchen and bedroom).

Dreyfus's apartment would have to veer immediately off to the extreme right when you enter it and be no more than a couple of inches wide in order to allow the kind of set-up seen in Baxter's apartment - clearly unrealistic, if not downright impossible.

Fran buys a record album recorded by the small combo that performs in the Chinese restaurant she patronizes but when the record is played in Baxter's apartment, the tunes are lush orchestral arrangements, nothing like the lounge music heard in the café.

When C.

Baxter gets into Miss Kubelik's elevator to go to the 27th floor, Miss Kubelik pushes a button, presumably 27, which lights up.

When they reach their floor, and the elevator doors open, rather than switching off, as an elevator button would normally do when elevator reaches it's destination, the button stays lit, and remains lit through the remainder of the scene.

After Baxter gets home for the first time, he cleans up by placing a large waste bucket of empty liquor bottles outside his apartment door.

An hour later when he has to vacate the apartment for one of the other men, the waste bucket full of bottles is gone.

There was no-one around to carry his bottles away at that time of night.

Fran's brother-in-law comes looking for her at her employer's office building after she hasn't been home for 2 days, beginning Christmas Eve.

Christmas 1959 was a Friday, so 2 days after she went missing would have been Saturday or Sunday, when nobody would have been in the office.

In the opening voice-over, Baxter states the date as November 1, 1959 which was a Sunday.

Yet the implication in the narration is that it was Wednesday.

Awards

BAFTA Awards 1961


BAFTA Film Award
Best Film from any Source
Best Foreign Actor
Best Foreign Actress

Grammy Awards 1961


Grammy
Best Soundtrack Album or Recording of Music Score from Motion Picture or Television

Laurel Awards 1961


Golden Laurel
Female Dramatic Performance
Top Comedy
Top Male Comedy Performance

New York Film Critics Circle Awards 1960


NYFCC Award
Best Director
Best Film
Best Screenplay

Online Film & Television Association 2003


OFTA Film Hall of Fame
Motion Picture

Venice Film Festival 1960


Golden Lion
Best Actress

Box Office

DateAreaGross
USA USD 18,600,000
January 1970 Worldwide USD 25,000,000

Keywords

Reviews

Apartment is an enjoyable ride, pleasantly surprising and feel good movie. The movie is raw, clever and funny.

A great movie. Just a warning attempted suicide is a major plot point.

First thing I have to say is it was so shocking seeing how rude some of the contestant couple were to the people they were to the employees who were selling them their furniture, lighting, etc... The design aspect is awful.

Billy Wilder is a diamond in the rough. The Apartment proves this affirmation.

Seeing the movie again after 50-some years, I'm astonished at how young the two leads appear. Seriously though, I'm impressed with just how appealing the Lemmon-MacLaine twosome is.

Billy Wilder is one of the most highly regarded directors of his generation and The Apartment is one of his most acclaimed films. The Apartment is a funny and dramatic, aimed with a script that is witty and tragic.

Every bit was carefully directed and executed. No room for error and yet presented as the most natural way possible.

Really great movie ! No wonder for winning best pictures .

"The Apartment" is an outstanding tragicomedy, marvellously written, marvellously directed and marvellously acted. It is also a rather lethal satire aimed at the perversity, superficiality and viciousness of much of modern corporate culture.

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