AEAF |
| Feature Film Animation |
EDA Award |
| Best Supporting Actor |
Annie |
| Outstanding Achievement for Character Animation in a Live Action Production |
AFCA Award |
| Best Motion Capture/Special Effects Performance |
| Best Supporting Actor |
BAFTA Film Award |
| Best Screenplay (Adapted) |
| Best Supporting Actor |
| Outstanding British Film of the Year |
CFCA Award |
| Best Art Direction/Production Design |
| Best Use of Visual Effects |
CIFCC Award |
| Best Supporting Actor |
DFCC |
| Best Film |
Evening Standard British Film Award |
| Best Supporting Actor |
FFCC Award |
| Best Art Direction/Production Design |
| Best Supporting Actor |
GWNYFCA Award |
| Best Picture |
| Best Supporting Actor |
HFCS Award |
| Best Vocal/Motion Capture Performance |
Truly Moving Picture Award |
ICP Award |
| Best Supporting Actor |
ICS Award |
| Best Supporting Actor |
IFMCA Award |
| Best Original Score for a Comedy Film |
INOCA |
| Best Adapted Screenplay |
| Best Cinematography |
| Best Costume Design |
| Best Director |
| Best Ensemble Cast |
| Best Film Editing |
| Best Makeup and Hairstyling |
| Best Original Score |
| Best Picture |
| Best Production Design |
| Best Supporting Actor |
| Best Visual Effects |
Legacy Award |
| Best Children's Comedy Film |
ALFS Award |
| Breakthrough British/Irish Filmmaker of the Year |
| British/Irish Actress of the Year |
| British/Irish Film of the Year |
| Supporting Actor of the Year |
| Technical Achievement of the Year |
LAFCA Award |
| Best Supporting Actor |
LAOFCS Award |
| Best Visual Effects or Animated Performance |
Faith and Freedom Award |
| Movies |
SDFCS Award |
| Best Comedic Performance |
| Best Costume Design |
| Best Visual Effects |
Seattle Film Critics Award |
| Best Picture |
| Best Villain |
The Operators Award |
| Feature Film |
UFCA Award |
| Best Supporting Actor |
WAFCA Award |
| Best Voice Performance |
| Date | Area | Gross |
|---|---|---|
| 3 December 2017 | UK | USD 36,257,717 |
| 19 November 2017 | Finland | EUR 376,964 |
| 12 November 2017 | Finland | EUR 187,560 |
| 19 November 2017 | Italy | EUR 1,841,419 |
| 12 November 2017 | Italy | EUR 1,020,462 |
| Date | Area | Gross | Screens |
|---|---|---|---|
| 12 November 2017 | Finland | EUR 187,560 | 97 |
| 12 November 2017 | Italy | EUR 1,018,935 | 405 |
| Date | Area | Gross | Screens |
|---|---|---|---|
| 19 November 2017 | Finland | EUR 146,175 | 108 |
| 12 November 2017 | Finland | EUR 187,560 | 97 |
| 19 November 2017 | Italy | EUR 682,475 | 450 |
| 12 November 2017 | Italy | EUR 1,018,935 | 405 |
Rented this on the 7.8 recommendation.
I'm a misanthrope at heart and in these populist times i was ready to give in to my hateful impulses ... Along came a CGI generated bear and a whole host of the best that Britain has to offer live and in person and i was a change men.
I think this sequel is just as good as the first. They upped the creative set design in certain sequences which I really liked.
Both Paddington movies are really awesome! These movies have the power to connect to our inner child's heart and joy!
This film has so much charm and rewatch value. The first Paddington film was great, but this is even better.
Paddington 2 was just ok. The ending was really good and touching but overall the plot & humour were a little too childlish for me.
It's very rare to watch a film that that doesn't disappoint. This is pure movie making magic with heart, characters, story, humour, amazing performances all round.
Very warm, the transmission of positive energy is not leakage to feel, let a person laugh and cry.
It's been a while since a movie has geniunely made me cry. By the end of this movie my eyes were full of tears.
