AACTA International Award |
| Best Screenplay |
EDA Award |
| Best Breakthrough Performance |
| Best Supporting Actress |
Silver Scream Award |
Excellence in Production Design Award |
| Contemporary Film |
ASCAP Award |
| Best Film Score |
AFCA Award |
| Best Film |
| Best First Film |
| Best Original Screenplay |
| Best Supporting Actor |
| Best Supporting Actress |
ACCA |
| Best Actor in a Supporting Role |
| Best Actress in a Supporting Role |
| Best Motion Picture |
| Best Original Screenplay |
| Best Production Design |
| Best Visual Effects |
BAFTA Film Award |
| Best Achievement in Special Visual Effects |
| Best Original Screenplay |
| Best Supporting Actress |
BFCC Award |
| Best Picture |
Bodil |
| Best Non-American Film (Bedste ikke-amerikanske film) |
BSFC Award |
| Best New Filmmaker |
| Best Supporting Actress |
British Independent Film Award |
| Best British Independent Film |
| Best Director |
| Best Screenplay |
| Outstanding Achievement in Craft |
British Screenwriters' Award |
| Best British Feature Film Writing |
Best Cinematography Award |
| Best Cinematography in a Feature Film |
Critics Choice Award |
| Best Original Screenplay |
| Best Sci-Fi/Horror Movie |
| Best Visual Effects |
Audience Award |
| Best Narrative Feature |
COFCA Award |
| Actor of the Year |
| Best Ensemble |
| Best Original Screenplay |
| Best Picture |
| Best Supporting Actor |
| Best Supporting Actress |
| Breakthrough Film Artist |
CFCA Award |
| Best Original Screenplay |
| Best Supporting Actress |
| Most Promising Filmmaker |
Golden Eagle |
| Narrative Content: Feature - Live Action |
CinEuphoria |
| Best Film - International Competition |
| Best Supporting Actress - Audience Award |
| Top Ten of the Year - Audience Award |
CDG Award |
| Excellence in Fantasy Film |
DFWFCA Award |
| Best Supporting Actress |
DFCS Award |
| Best Original Screenplay |
| Best Science-Fiction/Horror Film |
| Best Supporting Actress |
| Best Visual Effects |
DFCS Award |
| Best Supporting Actor |
| Best Supporting Actress |
| Breakthrough Artist |
DFCC |
| Best Film |
European Film Award |
| European Actress |
| European Screenwriter |
Evening Standard British Film Award |
| Best Technical Achievement |
FFCC Award |
| Best Original Screenplay |
| Best Supporting Actor |
| Best Supporting Actress |
| Best Visual Effects |
Dorian Award |
| Unsung Film of the Year |
GAFCA Award |
| Best Original Screenplay |
| Best Picture |
| Best Production Design |
| Best Supporting Actress |
Jury Prize |
Gold Derby Award |
| Motion Picture |
| Original Screenplay |
| Supporting Actor |
| Supporting Actress |
| Visual Effects |
Golden Schmoes |
| Best Sci-Fi Movie of the Year |
| Best Screenplay of the Year |
| Best Special Effects of the Year |
| Best Supporting Actor of the Year |
| Best Supporting Actress of the Year |
| Best T&A of the Year |
| Biggest Surprise of the Year |
| Breakthrough Performance of the Year |
| Most Underrated Movie of the Year |
| Trippiest Movie of the Year |
Golden Trailer |
| Best Foreign Thriller Trailer |
| Best Foreign TV Spot |
| Best Thriller |
Artisan |
| Best Contemporary Hair Styling - Feature-Length Motion Picture |
| Best Special Makeup Effects - Feature-Length Motion Picture |
HFCS Award |
| Best Picture |
| Best Poster Design |
| Best Supporting Actress |
Hugo |
| Best Dramatic Presentation - Long Form |
IGN Award |
| Best Sci-Fi Movie |
ICP Award |
| Best First Feature |
| Best Screenplay |
| Best Supporting Actor |
| Best Supporting Actress |
ICS Award |
| Best Supporting Actor |
Halfway Award |
| Best Director |
| Best Film Editing |
| Best Makeup and Hairstyling |
| Best Original Score |
| Best Original Screenplay |
| Best Production Design |
| Best Sound Editing |
| Best Sound Mixing |
| Best Supporting Actor |
| Best Supporting Actress |
| Best Visual Effects |
IFCS Award |
| Best Horror or Science Fiction |
IFC Award |
| Best Supporting Actress |
IFTA Award |
| Best Actor in a Lead Role - Film |
| Best International Film |
Ivor Novello Award |
| Best Original Film Score |
KCFCC Award |
| Best Director |
| Best Original Screenplay |
| Best Supporting Actress |
Sierra Award |
| Best Horror/Sci-Fi Film |
| Best Picture |
| Breakout Filmmaker of the Year |
ALFS Award |
| Breakthrough British/Irish Filmmaker of the Year |
| Supporting Actor of the Year |
| Supporting Actress of the Year |
| Technical Achievement of the Year |
LAFCA Award |
| Best Supporting Actress |
MTV Movie Award |
| Best Female Performance |
NFCS Award |
| Best Supporting Actress |
| Best Visual Effects |
NCFCA Award |
| Best Original Screenplay |
| Best Supporting Actress |
OFCC Award |
| Best Body of Work |
| Best Film |
| Best First Film |
| Best Supporting Actress |
OFTA Film Award |
| Best Breakthrough Performance: Female |
| Best Feature Debut |
| Best Movie Trailer |
| Best Supporting Actress |
| Best Visual Effects |
OFCS Award |
| Best Original Screenplay |
| Best Picture |
| Best Supporting Actor |
Directors to Watch |
PGA Award |
| Outstanding Producer of Theatrical Motion Pictures |
PCC Award |
| Best Director |
| Best Picture |
| Best Science Fiction Film |
| Best Screenplay |
| Best Supporting Actress |
PFCS Award |
| Best Original Screenplay |
| Breakthrough Performance |
| Overlooked Film of the Year |
Rondo Statuette |
| Best Movie |
SDFCS Award |
| Best Actress |
| Best Body of Work |
| Best Original Screenplay |
| Best Picture |
| Best Production Design |
| Best Sound Design |
| Best Supporting Actor |
| Best Visual Effects |
| Breakthrough Artist |
SFFCC Award |
| Best Supporting Actress |
Virtuoso Award |
Seattle Film Critics Award |
| Best Picture |
| Best Supporting Actor |
| Best Supporting Actress |
| Best Visual Effects |
SEFCA Award |
| Best Supporting Actress |
TFCA Award |
| Best First Feature |
| Best Supporting Actress |
UFCA Award |
| Best Supporting Actor |
| Best Supporting Actress |
VFCC Award |
| Best Supporting Actress |
VVFP Award |
| Best First Feature |
| Best Screenplay |
| Best Supporting Actor |
| Best Supporting Actress |
WAFCA Award |
| Best Director |
| Best Original Screenplay |
| Best Supporting Actress |
Public Choice Award |
| Discovery of the Year |
Writers' Guild of Great Britain Award |
| Best Screenplay |
Pretty good science fiction, thinking about artificial intelligence, measuring the relationship between people and artificial intelligence. Different from similar themes in the past, the film has no big scenes, not big productions, but it is still shocking.
The premise of the movie is realistic with a poetic license. The essence of ai is well portrayed including the disregard for human life and emotions.
Writer Alex Garland makes his directorial début in this low budget independent feature. Caleb (Domhnall Gleeson) is a top notch but geeky computer programmer who has won a competition to spend a week at an isolated retreat of reclusive, eccentric and wealthy AI engineer Nathan (Oscar Isaac.
There have been a frightening string of films lately. Movies that sell themselves as an original, intelligent take on a topic (e.
About halfway through this, I noticed a sparkly smear on the left side of the screen. When I looked closer, I noticed that it had been left behind by the snail who had scooted along to the end of the film.
A great watch, will watch again, and definitely recommend.This is such a mind stimulating movie, and without exhausting me as I feel sometimes: instead of forcing you to comprehend things, it allows you to explore flights of fancy and possibility.
Just watched the BAFTA's and one of the nominees was this flick for outstanding effects. Knowing that it was a blah blah flick with not that much action I do gave it a try and I must say that it wasn't that bad after all.
Ex Machina is an exploration of a concept, but it does not rely on a gimmick or a twist. Because of the themes explored in the movie, like AI, and what it means to be human, it is not possible to surprise the audience with a big revelation regarding if someone is human or not.
There are genius scripts, and then there are scripts that are obviously written by genius. Ex Machina is an example of the latter.
