This film was so obscure during the early seventies that David Pirie omitted it from his filmography in 'A Heritage of Horror' (1973) and Walt Lee listed it as one of the 'problems' in the section on blue paper at the back of Volume 1 of his 'Reference Guide to Fantastic Films' (although the same year Denis Gifford identified it generically as a Fantasy in 'The British Film Catalogue').Scripted by actor Guy Deghy and explicitly organised around the date 5 October (!
There really isn't anything to redeem this. Lots of exposition, stagy performances, the oldest 'miserable delinquent' in the business, and a subplot about the domestic sphere vs academia.
Ok I didn't expect much from this film but it was surprisingly good. Had suspense and a good atmosphere, made better for being black & white.
TheSTORY-1.25For the 1960s this was quite a change to the convention: To have a psychic in a dark thriller.
DANGER TOMORROW is a slight, hour-long domestic drama with touches of the thriller and science fiction genres, but sadly there isn't enough of either of the latter to make this work. Robert Urquhart and Zena Walker play a happily married couple - he's a doctor - whose lives are turned upside down when she begins to see visions from tomorrow.
Doctor Robert Urquhart arrives to second Dr. Rupert Davies, preparatory to taking over the practice.
This thriller is of a type that I am not fond of.When the murderer has been caught one of the other characters has to explain the plot and link everything up.
