Blue Movie
Blue Movie (1969)

Blue Movie

5/5
(31 votes)
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Hmm, this is one of those hard to divine films. A lady escapes rape and is taken into the home of a photographer.

Blue Movie was one of the movies Jenna Jameson made during her prime. This was shot back when Jenna looked really amazing.

As difficult to review as it is to view this is one hell of a bizarre movie. Not to be confused with the Warhol movie, this is from Alberto Cavallone and is probably aiming at the same sort of sub art house audience, or as it was in the late 70s.

This movie was a daring taboo breaker at one time (1971), especially for its full male nudity including an erection, but the storyline, acting, characters, lack of eroticism and an attempt to finish with a message fail. Acting like you are enjoying sex should not be so difficult in the final scene.

The main reason I watched Blue Movie was for the archive Bijlmer footage. No, really!

This is Zen's attempt at the "movie within a movie" theme that has been handled better (Terror Firmer) and worse (Rented Lips) by more respectable filmmakers. The result is a surprisingly coherent storyline in a none-the-less boring and sloppy production.

"Blue Movie" is a bizarre and extremely obscure exploitation film obviously inspired by Dusan Makavejew's "Sweet Movie".There is no real plot to speak of,just plenty of surreal moments and nudity.

Michael Zen's finest heterosexual hardcore effort yet (he's been making gay porn since 1972's legendary FALCONHEAD) is a furiously paced farce set within a glamorized beyond recognition porn studio where intrepid reporter Jenna Jameson (in an engaging performance in stark contrast to her genuinely frightening psycho slut in that same year's WICKED ONE by Greg Steelberg and Brad Armstrong) searches to expose cross-dressing director Steven St.Croix (never better, his comedic skills here far more subtle than in Paul Thomas' THE SHOW), if only she could get past his butch bodyguard Jeanna Fine.

Blue Movie (1994) *** (out of 4) This here is a pretty unique avant-garde film from director Mark Street. I had never heard of the film before coming across a discussion on it.

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