Kim Newman

3/5

Biography

Note: This author also writes under the pseudonym of Jack Yeovil.An expert on horror and sci-fi cinema (his books of film criticism include Nightmare Movies and Millennium Movies), Kim Newman's novels draw promiscuously on the tropes of horror, sci-fi and fantasy. He is complexly and irreverently referential; the Dracula sequence--Anno Dracula, The Bloody Red Baron and Dracula,Cha Cha Cha--not only portrays an alternate world in which the Count conquers Victorian Britain for a while, is the mastermind behind Germany's air aces in World War One and survives into a jetset 1950s of paparazzi and La Dolce Vita, but does so with endless throwaway references that range from Kipling to James Bond, from Edgar Allen Poe to Patricia Highsmith. In horror novels such as Bad Dreams and Jago, reality turns out to be endlessly subverted by the powerfully malign. His pseudonymous novels, as Jack Yeovil, play elegant games with genre cliche--perhaps the best of these is the sword-and-sorcery novel Drachenfels which takes the prescribed formulae of the games company to whose bible it was written and make them over entirely into a Kim Newman novel. Life's Lottery, his most mainstream novel, consists of multiple choice fragments which enable readers to choose the hero's fate and take him into horror, crime and sf storylines or into mundane reality.

  • Aliases
  • Jack Yeovil
  • Primary profession
  • Actress
  • Country
  • United Kingdom
  • Nationality
  • British
  • Gender
  • Male
  • Birth date
  • 31 July 1959
  • Place of birth
  • London
  • Education
  • University of Sussex
  • Knows language
  • English language

Movies

TV

Books

Trivia

Film and television critic, novelist and author of "Nightmare Movies", he has contributed to various publications, including the British film magazine, Empire. He is especially noted as an authority on the genres of horror, science fiction and fantasy.

Quotes

[on "Doctor Who" (1963) ] When they brought in the robot dog,always a bad sign. I think after that it became increasingly insular,it started addressing only its fans, and I think for most of its last,ten years of existence it was a fairly shoddy pantomime of what it used,to be.

No crime too small’ was never exactly Moriarty’s slogan, but the criminal genius would apply himself to minor offences if an unusual challenge was presented.

Moriarty rarely smiled,and then usually to terrify some poor victim. The first time I heard him laugh, I thought he had been struck by a deadly poison and the stutter escaping through his locked jaws was a death rattle. .

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