Jon Ronson is a writer and documentary filmmaker. His work includes the international bestsellers Them: Adventures With Extremists and The Men Who Stare at Goats, which was adapted into a major motion picture starring George Clooney, Ewan McGregor, Kevin Spacey and Jeff Bridges. A contributor to The Guardian, Ronson is the author of the columns "Human Zoo" and "Out of the Ordinary". He writes and presents the BBC Radio 4 series, Jon Ronson On... For Channel 4, Jon has made a number of films including the five-part series Secret Rulers of the World and Tottenham Ayatollah. His most recent documentaries are Reverend Death (Channel 4), Citizen Kubrick (More4) and Robbie Williams and Jon Ronson Journey to the Other Side (Radio 4). In the US, he is a contributor to Public Radio International's This American Life.
British writer and documentary film-maker.
Parts of "The Psychopath Test" read as though the Experts have no sense of sarcasm, and are taking jokes their patients make at face value and then using that as evidence of symptoms.
Please ejaculate", I silently urged the man, "so I can go to sleep". (In this way I imagine I was like millions of women before me,Shame internalized can lead to agony. Whereas shame let out can lead to freedom, or at least a funny story, which is a sort of freedom too.
The days that followed passed slowly. I lay in my hotel room and watched the kind of strange European TV that would probably make perfect sense if I understood the language, but because I didn’t, the programs just seemed dreamlike and baffling. In one studio show a group of Scandinavian academics watched as one of them poured liquid plastic into a bucket of cold water. It solidified, they pulled it out, handed it around the circle, and, as far as I could tell, intellectualized on its random misshapenness. I phoned home but my wife didn’t answer. It crossed my mind that she might be dead. I panicked. Then it turned out that she wasn’t dead. She had just been at the shops.
sometimes the personalities at the helm of the madness industry are, with their drives and obsessions, as mad in their own way as those they study. And that relatively ordinary people are, more and more, defined by their maddest edges.
[W]e need to think twice about raining down vengeance and anger as our default position.
The snowflake never needs to feel responsible for the avalanche.
I wondered what sort of woman loved a man like that.
Bedlam: an institution with a history so fearsome it gave its name to a synonym for chaos and pandemonium.
It seems to me that all the people involved in the Hank and Adria story thought they were doing something good. But they only revealed that our imagination is so limited, our arsenal of potential responses so narrow, that the only thing anyone can think to do with an inappropriate shamer like Adria is to punish her with a shaming. All of the shamers had themselves come from a place of shame, and it really felt parochial and self-defeating to instinctively slap shame onto shame like a clumsy builder covering cracks.
When shamings are delivered like remotely administered drone strikes, nobody needs to think about how ferocious our collective power might be. The snowflake never needs to feel responsible for the avalanche.
We journalists love writing about eccentrics. We hate writing about impenetrable, boring people. It makes us look bad: the duller the interviewee, the duller the prose. If you want to get away with wielding true, malevolent power, be boring.
A stab had clearly once been made at de-uglifying these public spaces by painting a corridor a jaunty yellow. This was because, it turned out, babies come here to have their brains tested and someone thought the yellow might calm them. But I couldn’t see how. Such was the oppressive ugliness of this building it would have been like sticking a red nose on a cadaver and calling it Ronald McDonald.
