Henryk Sienkiewicz

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Biography

Henryk Adam Aleksander Pius Sienkiewicz (also known as "Litwos"; May 5, 1846–November 15, 1916) was a Polish journalist and Nobel Prize-winning novelist. He was one of the most popular Polish writers at the turn of the 19th and 20th centuries, and received the Nobel Prize in Literature in 1905 for his "outstanding merits as an epic writer."Born into an impoverished gentry family in the Podlasie village of Wola Okrzejska, in Russian-ruled Poland, Sienkiewicz wrote historical novels set during the Rzeczpospolita (Polish Republic, or Commonwealth). His works were noted for their negative portrayal of the Teutonic Order in The Teutonic Knights (Krzyżacy), which was remarkable as a significant portion of his readership lived under German rule. Many of his novels were first serialized in newspapers, and even today are still in print. In Poland, he is best known for his historical novels "With Fire and Sword", "The Deluge", and "Fire in the Steppe" (The Trilogy) set during the 17th-century Polish-Lithuanian Commonwealth, while internationally he is best known for Quo Vadis, set in Nero's Rome. Quo Vadis has been filmed several times, most notably the 1951 version.Sienkiewicz was meticulous in attempting to recreate the authenticity of historical language. In his Trilogy, for instance, he had his characters use the Polish language as he imagined it was spoken in the seventeenth century (in reality it was far more similar to 19th-century Polish than he imagined). In The Teutonic Knights, which relates to the Battle of Grunwald in 1410, he even had his characters speak a variety of medieval Polish which he recreated in part from archaic expressions then still common among the highlanders of Podhale.In 1881, Sienkiewicz married Maria Szetkiewicz (1854-1885). They had two children, Henryk Józef (1882-1959) and Jadwiga Maria (1883–1969).

  • Primary profession
  • Writer
  • Country
  • Poland
  • Nationality
  • Polish
  • Gender
  • Male
  • Birth date
  • 05 May 1846
  • Place of birth
  • Wola Okrzejska
  • Death date
  • 1916-11-15
  • Death age
  • 70
  • Place of death
  • Vevey
  • Children
  • Jadwiga Korniłowiczowa
  • Spouses
  • Maria Babska·Maria Szetkiewicz·
  • Education
  • University of Warsaw
  • Knows language
  • Polish language
  • Member of
  • Serbian Academy of Sciences and Arts·Saint Petersburg Academy of Sciences·Russian Academy of Sciences

Music

Movies

Books

Awards

Trivia

Polish author, who won the 1905 Nobel Prize in literature "because of his outstanding merits as an epic writer".

Had two children, Henryk and Jadwiga.

Born to a wealthy Polish family, he was a noble of the Oszyk coat of arms.

His most popular novels include "The Trilogy" (1884-1888), set during the Polish-Lithuanian Commonwealth in the 17th century, and certainly "Quo Vadis?" (1895), which has been filmed several times, most notably Quo Vadis .

For a brief period, 1876-77, Sienkiewicz and other Polish migrs, including world-renowned actress Helena Modjeska, lived in then-rural Anaheim, California. None of the colonists was adept at farming, so the experiment failed and Sienkiewicz and his wife returned to Poland.

Quotes

Nevertheless, in this sea of human wretchedness and malice there bloomed at times compassion, as a pale flower blooms in a putrid marsh.

There, about a dozen times during the day, the wind drives over the sky the swollen clouds, which water the earth copiously, after which the sun shines brightly, as if freshly bathed, and floods with a golden luster the rocks, the river, the trees, and the entire jungle.

It seemed that out of every tear of a martyr new confessors were born, and that every groan on the arena found an echo in thousands of breasts. Caesar was swimming in blood, Rome and the whole pagan world was mad. But those who had had enough of transgression and madness, those who were trampled upon, those whose lives were misery and oppression, all the weighed down, all the sad, all the unfortunate, came to hear the wonderful tidings of God, who out of love for men had given Himself to be crucified and redeem their sins. When they found a God whom they could love, they had found that which the society of the time could not give any one, -- happiness and love.

Amid the stillness of the night, in the depths of the ravine, from the direction in which the corpses lay suddenly resounded a kind of inhuman, frightful laughter in which quivered despair, and joy, and cruelty, and suffering, and pain, and sobbing, and derision; the heart-rending and spasmodic laughter of the insane or condemned.

In the meantime the groans changed into the protracted, thunderous roar by which all living creatures are struck with terror, and the nerves of people, who do not know what fear is, shake, just as the window-panes rattle from distant cannonading.

They did not, however, infect the air as the Sudanese sun dried them up like mummies; all had the hue of gray parchment, and were so much alike that the bodies of the Europeans, Egyptians, and negroes could not be distinguished from each other.

It is not Atlas who carries the world on his shoulders, but woman; and sometimes she plays with it as with a ball.

As to women, I agree that each has three or four souls, but none of them a reasoning one.

If we repay evil with good, then how do we repay the good?,And all at once he saw before him a precipice, as it were without bottom. He was a patrician, a military tribune, a powerful man; but above every power of that world to which he belonged was a madman whose will and malignity it was impossible to foresee. Only such people as the Christians might cease to reckon with Nero or fear him, people for whom this whole world, with its separations and sufferings, was as nothing; people for whom death itself was as nothing. All others had to tremble before him. The terrors of the time in which they lived showed themselves to Vinicius in all their monstrous extent. . . Vinicius felt, for the first time in life, that either the world must change and be transformed, or life would become impossible altogether. He understood also this, which a moment before had been dark to him, that in such times only Christians could be happy.

He always smiles, even when contemplating nothing good.

More than once have I thought, Why does crime, even when as powerful as Cæsar, and assured of being beyond punishment, strive always for the appearances of truth, justice, and virtue? Why does it take the trouble? I consider that to murder a brother, a mother, a wife, is a thing worthy of some petty Asiatic king, not a Roman Cæsar; but if that position were mine, I should not write justifying letters to the Senate. But Nero writes. Nero is looking for appearances, for Nero is a coward. But Tiberius was not a coward; still he justified every step he took. Why is this? What a marvellous, involuntary homage paid to virtue by evil! And knowest thou what strikes me? This, that it is done because transgression is ugly and virtue is beautiful. Therefore a man of genuine æsthetic feeling is also a virtuous man. Hence I am virtuous.

She wasted and grew so thin that she no longer was a little girl, but the shadow of a little girl. The flame of her life flickered so faintly that it appeared sufficient to blow at it to extinguish it. Stas understood that death did not have to wait for a third attack to take her and he expected it any day or any hour.

. . . he began to fear whether in the presence of far greater events, all his acts would not fade into insignificance, just as a drop of rain disappears into the sea.

At most, a hundred paces separated him from them. The powerful beast, seeing the riders and horses, rose on his fore paws and began to gaze at them. The sun, which now stood low, illuminated his huge head and shaggy breasts, and in that ruddy luster he was like one of those sphinxes which ornament the entrances to ancient Egyptian temples.

The shots had dispersed the birds; there remained only two marabous, standing between ten and twenty paces away and plunged in reverie. They were like two old men with bald heads pressed between the shoulders.

But the French writers always had more originality and independence than others, and that regulator, which elsewhere was religion, long since ceased to exist for them. .

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