H.P. Lovecraft

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Biography

Howard Phillips Lovecraft, of Providence, Rhode Island, was an American author of horror, fantasy and science fiction.Lovecraft's major inspiration and invention was cosmic horror: life is incomprehensible to human minds and the universe is fundamentally alien. Those who genuinely reason, like his protagonists, gamble with sanity. Lovecraft has developed a cult following for his Cthulhu Mythos, a series of loosely interconnected fictions featuring a pantheon of human-nullifying entities, as well as the Necronomicon, a fictional grimoire of magical rites and forbidden lore. His works were deeply pessimistic and cynical, challenging the values of the Enlightenment, Romanticism and Christianity. Lovecraft's protagonists usually achieve the mirror-opposite of traditional gnosis and mysticism by momentarily glimpsing the horror of ultimate reality.Although Lovecraft's readership was limited during his life, his reputation has grown over the decades. He is now commonly regarded as one of the most influential horror writers of the 20th Century, exerting widespread and indirect influence, and frequently compared to Edgar Allan Poe.— Wikipedia

  • Primary profession
  • Writer
  • Gender
  • Male
  • Birth date
  • 20 August 1890
  • Place of birth
  • Providence· Rhode Island
  • Death date
  • 1937-03-15
  • Death age
  • 47
  • Influence
  • Robert E. Howard·Lord Dunsany·Arthur Machen·Clark Ashton Smith·Robert Chambers·Edgar Allan Poe·

Music

Lyrics

Movies

Books

Trivia

Universally considered to be the father of modern horror.

Buried in Swan Point Cemetery.

His fictitious book, the Necronomicon, is referred to in many of his stories -- allegedly written by "The Mad Arab" in the eighth century and containing horrendous spells, evil workings and Dark Things Best Left Alone. In a bizarre literary reversal, several people have written and published imaginative full-length editions, giving this mythical work a macabre, eldritch life of its own.

One of his other inventions, the fictitious Miskatonic University, appears prominently in his tales, and its library is often where the evil Necronomicon can be found.

For many years, the statuette for the World Fantasy Award was a bust of Lovecraft, and was informally referred to as a Howard.

Responsible for creating the nucleus of the "Cthulhu Mythos," a cycle of loosely-related stories that he (and other writers including Robert Bloch, August Derleth, Robert Howard, Clark Ashton Smith, and Brian Lumley) conceived that concerned the "Great Old Ones," beings from outer space who took up residence on Earth to cause havoc. Ironically, although Lovecraft was an atheist (having renounced his familys Baptist faith at an early age), the mythos stories have spawned a sort of pseudo-religion among the very hard-core readers of his stories, including the Temple of Set and the Esoteric Order of Dagon.

Wrote the short story "Imprisoned With The Pharaohs" as a ghostwriter for Harry Houdini. But on the day he brought it in person, he left the original copy at the train station, but fortunately had a copy saved at home. So somewhere in Providence there was a story titled "Under the Pyramids" by Lovecraft floating around.

Was known to remain awake for prolonged periods of time, often 36 hours straight, without showing the slightest signs of fatigue or irritability. In one case, in order to meet a deadline, he had to stay awake for 60 hours straight in order to complete a story.

It has been said by one biographer that he was literally "cold blooded" due to a very rare, and still little-understood affliction called poikilothermism, making him feel cold to the touch. However this is probably untrue, and basically disproved by biographer T. S. Joshi, seeing as poikilothermism is not a disease, but a characteristic of certain non-mammals such as reptiles, and is only commonly seen in mammals as a symptom of rabies, which it is highly unlikely Lovecraft suffered from. The belief that he was poikilothermic is a common misconception, however.

Inspired modern-day stories of success such as Stephen King ("The Shining"), John Carpenter ("In the Mouth of Madness"), Robert Bloch ("Psycho"), Clive Barker ("Hellraiser") and Anne Rice ("Interview with the Vampire").

Is notorious as being the 20th Centurys most prolific letter writer scripting somewhere between 40,000 to 100,000 letters within his lifetime.

The Vision Bleak, a German horror metal band, dedicated the album "Carpathia, A Dramatic Poem" to Lovecraft. They also made other references, such as a track being called "Kutulu!". Numerous other rock bands have paid musical tribute to HPL and the Mythos, most notably Metallica in "The Thing That Should Not Be" and the 1960s American band H.P. Lovecraft.

Was raised by his grandfather and mother, and to a certain extent by his aunts, after his fathers hospitalization.

Because he was a sensitive child, his mother and grandfather indulged him, so Lovecraft very early gained a fondness for sweets that remained with him all his life.

His fathers insanity was most likely caused by syphilis.

His wife, Sonia Haft Shifirkin Greene, was seven years his senior.

Played a harmonica-like instrument called a zobo.

Suffered two nervous breakdowns before he was fifteen.

Had an active correspondence with writer Robert E. Howard.

Was close friends with writer Frank Belknap Long.

Never actually finished high school, a fact which bothered him clear up to his death.

He was a known xenophobe, racist and anti-Semite. Even after marrying Sonia Greene who was Jewish, he was still fond of making anti-Semitic remarks much to her chagrin.

He openly hated New York City and spoke at length about his dislike for it but stayed there often and spent so much time exploring neighborhoods with friends that he had trouble getting work done.

Lovecraft had a particular fondness for ice cream and had, in general, a notable sweet tooth. He loved coffee too, especially when highly sugared. Baked beans, spaghetti, cheese and roast turkey were also favorites.

He always wrote the drafts of his stories by hand, because he hated typing. Whenever he could, he would have someone else type his manuscripts for him.

There is an area of Pluto named Cthulu Regio.

Quotes

The oldest and strongest emotion of mankind is fear, and the oldest and,strongest kind of fear is fear of the unknown.

[epitaph in his gravestone]: I am Providence.

The most merciful thing in the world, I think, is the inability of the,human mind to correlate all its contents. We live on a placid island of,ignorance in the midst of black seas of infinity, and it was not meant,that we should voyage far.

From even the greatest of horrors, irony is seldom absent.

I shall never be very merry or very sad, for I am more prone to analyze,than to feel.

The world is indeed comic, but the joke is on mankind.

Almost nobody dances sober, unless they happen to be insane.

I never ask a man what his business is, for it never interests me. What I ask him about are his thoughts and dreams.

All life is only a set of pictures in the brain, among which there is no difference betwixt those born of real things and those born of inward dreamings, and no cause to value the one above the other.

We all know that any emotional bias -- irrespective of truth or falsity -- can be implanted by suggestion in the emotions of the young, hence the inherited traditions of an orthodox community are absolutely without evidential value. . . . If religion were true, its followers would not try to bludgeon their young into an artificial conformity; but would merely insist on their unbending quest for truth, irrespective of artificial backgrounds or practical consequences. With such an honest and inflexible openness to evidence, they could not fail to receive any real truth which might be manifesting itself around them. The fact that religionists do not follow this honourable course, but cheat at their game by invoking juvenile quasi-hypnosis, is enough to destroy their pretensions in my eyes even if their absurdity were not manifest in every other direction.

In search of Truth the hopeful zealot goes,But all the sadder tums, the more he knows!,Religion is still useful among the herd - that it helps their orderly conduct as nothing else could. The crude human animal is in-eradicably superstitious, and there is every biological reason why they should be. Take away his Christian god and saints, and he will worship something else. . .

I neither knew nor cared whether my experience was insanity, dreaming, or magic; but was determined to gaze on brilliance and gaiety at any cost.

That is not dead which can eternal lie,And with strange aeons even death may die.

If we knew what we are, we should do as Sir Arthur Jermyn did; and Arthur Jermyn soaked himself in oil and set first to his clothing one night.

At night, when the objective world has slunk back into its cavern and left dreamers to their own, there come inspirations and capabilities impossible at any less magical and quiet hour. No one knows whether or not he is a writer unless he has tried writing at night.

A serious adult story must be true to something in life. Since marvel tales cannot be true to the events of life, they must shift their emphasis towards something to which they can be true; namely, certain wistful or restless moods of the human spirit, wherein it seeks to weave gossamer ladders of escape from the galling tyranny of time, space, and natural law.

I am, indeed, an absolute materialist so far as actual belief goes; with not a shred of credence in any form of supernaturalism—religion, spiritualism, transcendentalism, metempsychosis, or immortality.

The most merciful thing in the world, I think, is the inability of the human mind to correlate all its content. We live on a placid island of ignorance in the midst of black seas of infinity, and it was not meant we should voyage far. The sciences, each straining in its own direction, have hitherto harmed us little; but some day the piecing together of dissociated knowledge will open up such terrifying vistas of reality, and of our frightful position therein, that we shall either go mad from the revelation or flee from the deadly light into peace and safety of a new dark age.

The most merciful thing in the world, I think, is the inability of the human mind to correlate all its contents. . . some day the piecing together of dissociated knowledge will open up such terrifying vistas of reality, and of our frightful position therein, that we shall either go mad from the revelation or flee from the light into the peace and safety of a new Dark Age.

The oldest and strongest emotion of mankind is fear.

Ultimate horror often paralyses memory in a merciful way.

I was nearly unnerved at my proximity to a nameless thing at the bottom of a pit.

It might, too, have been the singular cold that alienated me; for such chilliness was abnormal on so hot a day, and the abnormal always excites aversion, distrust, and fear.

You have been my friend in the cosmos; you have been my only friend on this planet - the only soul to sense and seek for me within the repellent form which lies on this couch. We shall meet again - perhaps in the shining mists of Orion’s Sword, perhaps on a bleak plateau in prehistoric Asia. Perhaps in unremembered dreams tonight; perhaps in some other form an aeon hence, when the solar system shall have been swept away.

For I have always been a seeker, a dreamer, and a ponderer on seeking and dreaming. . .

But are not the dreams of poets and the tales of travellers notoriously false?,When Randolph Carter was thirty he lost the key of the gate of dreams.

There are so many persons who know what wonders are opened to them in the stories and visions of their youth; for when as children we listen and dream, we think but half-formed thoughts, and when as men we try to remember, we are dulled and proasic with the poison of life.

There is in certain ancient things a traceOf some dim essence --More than form or weight;A tenuous aether, indeterminate,Yet linked with all the laws of time and space. A faint, veiled sign of continuitiesThat outward eyes can never quite descry;Of locked dimensions harboring years gone by,And out of reach except for hidden keys.

We are all roamers of vast spaces and travelers in many ages.

While my chosen form of story-writing is obviously a special and perhaps a narrow one, it is none the less a persistent and permanent type of expression, as old as literature itself. There will always be a certain small percentage of persons who feel a burning curiosity about unknown outer space, and a burning desire to escape from the prison-house of the known and the real into those enchanted lands of incredible adventure and infinite possibilities which dreams open up to us, and which things like deep woods, fantastic urban towers, and flaming sunsets momentarily suggest.

Atmosphere, not action, is the great desideratum of weird fiction. Indeed, all that a wonder story can ever be is a vivid picture of a certain type of human mood. The moment it tries to be anything else it becomes cheap, puerile, and unconvincing. Prime emphasis should be given to subtle suggestion - imperceptible hints and touches of selective associative detail which express shadings of mood and build up a vague illusion of the strange reality of the unreal. Avoid bald catalogues of incredible happenings which can have no substance or meaning apart from a sustaining cloud of colour and symbolism.

An isolated person requires correspondence as a means of seeing his ideas as others see them, and thus guarding against the dogmatisms and extravagances of solitary and uncorrected speculation. No man can learn to reason and appraise from a mere perusal of the writing of others. If he live not in the world, where he can observe the public at first hand and be directed toward solid reality by the force of conversation and spoken debate, then he must sharpen his discrimination and regulate his perceptive balance by an equivalent exchange of ideas in epistolary form.

So through endless twilights I dreamed and waited, though I knew not what I waited for. Then in the shadowy solitude my longing for light grew so frantic that I could rest no more, and I lifted entreating hands to the single black ruined tower that reached above the forest into the unknown outer sky. And at last I resolved to scale that tower, fall through I might; since it were better to glimpse the sky and perish, than to live without even beholding day.

I expect nothing of man, and disown the race. The only folly is expecting what is never attained; man is most contemptible when compared with his own pretensions. It is better to laugh at man from outside the universe, than to weep for him within.

I shall never be very merry or very sad, for I am more prone to analyse than to feel.

The cloudless day is richer at its close;A golden glory settles on the lea;Soft, stealing shadows hint of cool reposeTo mellowing landscape, and to calming sea. And in that nobler, gentler, lovelier light,The soul to sweeter, loftier bliss inclines;Freed form the noonday glare, the favour’d sightIncreasing grace in earth and sky divines. But ere the purest radiance crowns the green,Or fairest lustre fills th’ expectant grove,The twilight thickens, and the fleeting sceneLeaves but a hallow’d memory of love!,Outside, across the putrid moat and under the dark mute trees, I would often lie and dream for hours about what I read in the books; and would longingly picture myself amidst gay crowds in the sunny world beyond the endless forests.

Wise men have interpreted dreams, and the gods have laughed.

Have only this consolation--that he was never a fiend or even truly a madman, but only an eager, studious, and curious boy whose love of mystery and of the past was his undoing. He stumbled on things no mortal ought ever to know, and reached back through the years as no one ever should reach; and something came out of those years to engulf him.

It is good to be a cynic — it is better to be a contented cat — and it is best not to exist at all.

From even the greatest of horrors irony is seldom absent.

I have seen the dark universe yawningWhere the black planets roll without aim,Where they roll in their horror unheeded,Without knowledge, or lustre, or name.

Bunch together a group of people deliberately chosen for strong religious feelings, and you have a practical guarantee of dark morbidities expressed in crime, perversion, and insanity.

The basis of all true cosmic horror is violation of the order of nature, and the profoundest violations are always the least concrete and describable.

I could not help feeling that they were evil things-- mountains of madness whose farther slopes looked out over some accursed ultimate abyss. That seething , half-luminous cloud-background held ineffable suggestions of a vague, ethereal beyondness far more than terrestrially spatial; and gave appalling reminders of the utter remoteness, separateness, desolation, and aeon-long death of this untrodden and unfathomed austral world.

There are black zones of shadow close to our daily paths, and now and then some evil soul breaks a passage through. When that happens, the man who knows must strike before reckoning the consequences.

The end is near. I hear a noise at the door, as of some immense slippery body lumbering against it. It shall not find me. God, that hand! The window! The window!,For the things in the chair, perfect to the last, subtle detail of microscopic resemblance - or identity - were the face and hands of Henry Wentworth Akeley.

He talked about terrible meetings in lonely places, of cyclopean ruins in the heart of the Maine woods beneath which vast staircases led down to abysses of nighted secrets, of complex angles that led through invisible walls to other regions of space and time, and of hideous exchanges of personality that permitted explorations in remote and forbidden places, on other worlds, and in different space-time continua.

By necessity practical and by philosophy stern, these folk were not beautiful in their sins.

In his house at R’lyeh dead Cthulhu waits dreaming.

Ocean is more ancient than the mountains, and freighted with the memories and the dreams of Time.

Only a cynic can create horror--for behind every masterpiece of the sort must reside a driving demonic force that despises the human race and its illusions, and longs to pull them to pieces and mock them.

Perhaps I should not hope to convey in mere words the unutterable hideousness that can dwell in absolute silence and barren immensity.

Children will always be afraid of the dark, and men with minds sensitive to hereditary impulse will always tremble at the thought of the hidden and fathomless worlds of strange life which may pulsate in the gulfs beyond the stars, or press hideously upon our own globe in unholy dimensions which only the dead and the moonstruck can glimpse. ”— “Supernatural Horror in Literature,When the stars were right, They could plunge from world to world through the sky; but when the stars were wrong, They could not live.

Damn it, it wasn’t quite fresh enough!,Would to Heaven we had never approached them at all, but had run back at top speed out of that blasphemous tunnel with the greasily smooth floors and the degenerate murals aping and mocking the things they had superseded-run back, before we had seen what we did see, and before our minds were burned with something which will never let us breathe easily again!,No death, no doom, no anguish can arouse the surpassing despair which flows from a loss of ide,As we drew nearer the green shore the bearded man told me of that land, the Land of Zar, where dwell all the dreams and thoughts of beauty that come to men once and then are forgotten. And when I looked upon the terraces again I saw that what he said was true, for among the sights before me were many things I had once seen through the mists beyond the horizon and in the phosphorescent depths of the ocean.

I have seen beyond the bounds of infinity and drawn down daemons from the stars. I have harnessed the shadows that stride from world to world to sow death and madness.

Art has been wrecked by a complete consciousness of the universe which shews that the world is to each man only a rubbish-heap limned by his individual perception. It will be saved, if at all, by the next and last step of disillusion; the realisation that complete consciousness and truth are themselves valueless, and that to acquire any genuine artistic titillation we must artificially invent limitations of consciousness and feign a pattern of life common to all mankind--most naturally the simple old pattern which ancient and groping tradition first gave us.

But of these things I must not now speak. I will tell only of the lone tomb in the darkest of the hillside thickets.

May the merciful god, if indeed there be such, guard those hours when no power of the will, or drug that the cunning of man devises, can keep me from the chasm of sleep. Death is merciful, for there is no return therefrom, but with him who has come back out of the nethermost chambers of night, haggard and knowing, peace rests nevermore.

It’s hard to have done all one’s growing up since 33 — but that’s a damn sight better than not growing up at all.

That Crawford Tilinghast should ever have studied science and philosophy was a mistake. These things should be left to the frigid and impersonal investigator for they offer two equally tragic alternatives to the man of feeling and action; despair, if he fail in his quest, and terrors unutterable and unimaginable if he succeed.

If I am mad, it is mercy! May the gods pity the man who in his callousness can remain sane to the hideous end!,Throw a stick, and the servile dog wheezes and pants and stumbles to bring it to you. Do the same before a cat, and he will eye you with coolly polite and somewhat bored amusement. And just as inferior people prefer the inferior animal which scampers excitedly because someone else wants something, so do superior people respect the superior animal which lives its own life and knows that the puerile stick-throwings of alien bipeds are none of its business and beneath its notice. The dog barks and begs and tumbles to amuse you when you crack the whip. That pleases a meekness-loving peasant who relishes a stimulus to his self importance. The cat, on the other hand, charms you into playing for its benefit when it wishes to be amused; making you rush about the room with a paper on a string when it feels like exercise, but refusing all your attempts to make it play when it is not in the humour. That is personality and individuality and self-respect -- the calm mastery of a being whose life is its own and not yours -- and the superior person recognises and appreciates this because he too is a free soul whose position is assured, and whose only law is his own heritage and aesthetic sense.

Through all this horror my cat stalked unperturbed. Once I saw him monstrously perched atop a mountain of bones, and wondered at the secrets that might lie behind his yellow eyes.

The dog appeals to cheap and facile emotions; the cat to the deepest founts of imagination and cosmic perception in the human mind. It is no accident that the contemplative Egyptians, together with such later poetic spirits as Poe, Gautier, Baudelaire, and Swinburne, were all sincere worshippers of the supple grimalkin.

It is said that in Ulthar, which lies beyond the river Skai, no man may kill a cat; and this I can verily believe as I gaze upon him who sitteth purring before the fire. For the cat is cryptic, and close to strange things which men cannot see. He is the soul of antique Aegyptus, and bearer of tales from forgotten cities in Meroë and Ophir. He is the kin of the jungle’s lords, and heir to the secrets of hoary and sinister Africa. The Sphinx is his cousin, and he speaks her language; but he is more ancient than the Sphinx, and remembers that which she hath forgotten.

The cat is such a perfect symbol of beauty and superiority that it seems scarcely possible for any true aesthete and civilised cynic to do other than worship it.

The cat is for the man who appreciates beauty as the one living force in a blind and purposeless universe.

The cool, lithe, cynical, and unconquered lord of the housetops.

A dog is a pitiful thing, depending wholly on companionship, and utterly lost except in packs or by the side of his master. Leave him alone and he does not know what to do except bark and howl and trot about till sheer exhaustion forces him to sleep. A cat, however, is never without the potentialities of contentment. Like a superior man, he knows how to be alone and happy. Once he looks about and finds no one to amuse him, he settles down to the task of amusing himself; and no one really knows cats without having occasionally peeked stealthily at some lively and well-balanced kitten which believes itself to be alone.

Now all my tales are based on the fundemental premise that common human laws and interests and emotions have no validity or significance in the vast cosmos-at-large. . . . To achieve the essence of real externality, whether of time or space or dimension, one must forget that such things as organic life, good and evil, love and hate, and all such local attributes of a negligible and temporary race called mankind, have any existence at all.

He had read much of things as they are, and talked with too many people. Well-meaning philosophers had taught him to look into the logical relations of things, and analyse the processes which shaped his thoughts and fancies. Wonder had gone away, and he had forgotten that all life is only a set of pictures in the brain, among which there is no difference betwixt those born of real things and those born of inward dreamings, and no cause to value the one above the other.

The daemon wind died down, and the bloated, fungoid moon sank reddeningly in the west.

Atal felt a spectral change in the air, as if the laws of earth were bowing to greater laws.

Warped and bigoted with preconceived illusions of justice, freedom, and consistency, they cast off the old lore and the old way with the old beliefs; nor ever stopped to think that the lore and those ways were the sole makers of their present thoughts and judgments, and the sole guides and standards in a meaningless universe without fixed aims or stable points of reference.

To be bitter is to attribute intent and personality to the formless, infinite, unchanging and unchangeable void. We drift on a chartless, resistless sea. Let us sing when we can, and forget the rest. .

Success is a relative thing―and the victory of a boy at marbles is equal to the victory of an Octavius at Actium when measured by the scale of cosmic infinity.

The social prestige of wine at table and at the club must be destroyed through lofty example and polite ridicule; forces which are not always available, and for whose successful operation much time will be required. But the outstanding fact remains, that the world has come to regard liquor in a new and clearer light. Our next generation of poets will contain but few Anacreons, for the thinking element of mankind has robbed the flowing bowl of its fancied virtues and fictitious beauties. The grape, so long permitted to masquerade as the inspirer of wit and art, is now revealed as the mother of ruin and death. The wolf at last stands divested of its sheep’s clothing.

It is no longer necessary to preach sonorously of the sinful and deleterious effect of liquor on the human mind and body; the essential evil is recognised scientifically, and only the sophistry of conscious immorality remains to be combated. Brewers and distillers still strive clumsily to delude the public by the transparent misstatements of their advertisements, and periodicals of easy conscience still permit these advertisements to disgrace their pages; but the end of such pernicious pretension is not remote. The drinker of yesterday flaunted his voice before all without shame; the average drinker of today must needs resort to excuses.

Though at times interested in reforms, notably prohibition (I have never tasted alcoholic liquor), I was inclined to be bored by ethical casuistry; since I believed conduct to be a matter of taste and breeding, with virtue, delicacy, and truthfulness as symbols of gentility. Of my word and honour I was inordinately proud, and would permit no reflections to be cast upon them. I thought ethics too obvious and commonplace to be scientifically discussed, and considered philosophy solely in its relation to truth and beauty. I was, and still am, pagan to the core.

And even in the open air the stench of whiskey was appalling. To this fiendish poison, I am certain, the greater part of the squalor I saw is due. Many of these vermin were obviously not foreigners—I counted at least five American countenances in which a certain vanished decency half showed through the red whiskey bloating. Then I reflected upon the power of wine, and marveled how self-respecting persons can imbibe such stuff, or permit it to be served upon their tables. It is the deadliest enemy with which humanity is faced. Not all the European wars could produce a tenth of the havock occasioned among men by the wretched fluid which responsible governments allow to be sold openly. Looking upon that mob of sodden brutes, my mind’s eye pictured a scene of different kind; a table bedecked with spotless linen and glistening silver, surrounded by gentlemen immaculate in evening attire—and in the reddening faces of those gentlemen I could trace the same lines which appeared in full development of the beasts of the crowd. Truly, the effects of liquor are universal, and the shamelessness of man unbounded. How can reform be wrought in the crowd, when supposedly respectable boards groan beneath the goblets of rare old vintages? Is mankind asleep, that its enemy is thus entertained as a bosom friend? But a week or two ago, at a parade held in honour of the returning Rhode Island National Guard, the Chief Executive of this State, Mr. Robert Livingston Beeckman, prominent in New York, Newport, and Providence society, appeared in such an intoxicated condition that he could scarce guide his mount, or retain his seat in the saddle, and he the guardian of the liberties and interests of that Colony carved by the faith, hope, and labour of Roger Williams from the wilderness of savage New-England! I am perhaps an extremist on the subject of prohibition, but I can see no justification whatsoever for the tolerance of such a degrading demon as drink.

I passed under an arch out of that region of slabs and columns, and wandered through the open country; sometimes following the visible road, but sometimes leaving it curiously to tread across meadows where only occasional ruins bespoke the ancient presence of a forgotten road. .

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