Gustav Mahler

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Biography

Gustav Mahler was a late-Romantic composer and one of the leading conductors of his generation. He was born to a Jewish family in the village of Kalischt in Bohemia, in what was then the Austrian Empire, now Kaliště in the Czech Republic. His family later moved to nearby Iglau (now Jihlava), where Mahler grew up.As a composer, Mahler acted as a bridge between the 19th-century Austro-German tradition and the modernism of the early 20th century. While in his lifetime his status as a conductor was established beyond question, his own music gained wide popularity only after periods of relative neglect which included a ban on its performance in much of Europe during the Nazi era. After 1945 the music was discovered and championed by a new generation of listeners; Mahler then became a frequently performed and recorded composer, a position he has sustained into the 21st century.Born in humble circumstances, Mahler displayed his musical gifts at an early age. After graduating from the Vienna Conservatory in 1878, he held a succession of conducting posts of rising importance in the opera houses of Europe, culminating in his appointment in 1897 as director of the Vienna Court Opera. During his ten years in Vienna, Mahler—who had converted to Catholicism to secure the post—experienced regular opposition and hostility from the anti-Semitic press. Nevertheless, his innovative productions and insistence on the highest performance standards ensured his reputation as one of the greatest of opera conductors, particularly as an interpreter of the stage works of Wagner and Mozart. Late in his life he was briefly director of New York's Metropolitan Opera and the New York Philharmonic.Mahler's oeuvre is relatively small; for much of his life composing was necessarily a part-time activity while he earned his living as a conductor. Aside from early works such as a movement from a piano quartet composed when he was a student in Vienna, Mahler's works are designed for large orchestral forces, symphonic choruses and operatic soloists. Most of his twelve symphonic scores are very large-scale works, often employing vocal soloists and choruses in addition to augmented orchestral forces. These works were often controversial when first performed, and several were slow to receive critical and popular approval; exceptions included his Symphony No. 2, Symphony No. 3, and the triumphant premier of his Eighth Symphony in 1910. Some of Mahler's immediate musical successors included the composers of the Second Viennese School, notably Arnold Schoenberg, Alban Berg and Anton Webern. Shostakovich and Benjamin Britten are among later 20th-century composers who admired and were influenced by Mahler. The International Gustav Mahler Institute was established in 1955 to honour the composer's life and work.

  • Real name
  • Gustav Mahler
  • Name variations
  • Bruno Walter Conducts Gustav Mahler - New York Philharmonic ; Mildred Miller·G. Mahler·G.Mahler·Gustave Mahler·Gustax Mahler·Maher·Mahler·Mahler G.·Mahler*·Malher·Г. Малер·Густав Малер·Малер·マーラー
  • Primary profession
  • Soundtrack·music_department·composer
  • Country
  • Austria
  • Nationality
  • Austrian
  • Gender
  • Male
  • Birth date
  • 07 July 1860
  • Place of birth
  • Kaliště (Pelhřimov District)
  • Death date
  • 1911-05-18
  • Death age
  • 51
  • Place of death
  • Vienna
  • Cause of death
  • Natural causes
  • Children
  • Anna Mahler
  • Spouses
  • Alma Mahler
  • Education
  • University of Music and Performing Arts Vienna
  • Knows language
  • German language
  • Parents
  • Bernhard Mahler

Music

Movies

Books

Trivia

Two daughters with Alma Mahler, Maria Anna (1902-1907) and Anna Justina (1904-1988).

Biography in: "American National Biography". Supplement 1, pp. 383-384. New York: Oxford University Press, 2002.

Reportedly, actor Dirk Bogarde based his appearance and his portrayal in "Death in Venice" on Gustav Mahler.

Quotes

I am thrice homeless, as a native of Bohemia in Austria, as an Austrian,among Germans, and as a Jew throughout the world. Everywhere an,intruder, never welcomed.

The Symphony is like the world. It must contain everything.

Tradition is not the worship of ashes, but the preservation of fire.

With the coming of spring, I am calm again.

If a composer could say what he had to say in words he would not bother trying to say it in music.

In its beginnings, music was merely chamber music, meant to be listened to in a small space by a small audience.

The real art of conducting consists in transitions.

Beauty and fullness of tone can be achieved by having the whole orchestra play with high clarinets and a carefully selected number of piccolos.

The impressions of the spriritual experiences gave my future life its form and content. .

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