Fiona Shaw

3/5

Biography

Irish actress, born 10 July 1958 in County Cork, Ireland.

  • Real name
  • Fiona Mary Wilson
  • Primary profession
  • Actress·miscellaneous·soundtrack
  • Country
  • United Kingdom
  • Nationality
  • British
  • Gender
  • Female
  • Birth date
  • 10 July 1958
  • Place of birth
  • County Cork
  • Education
  • Royal Academy of Dramatic Art
  • Knows language
  • English language
  • Parents
  • John Shaw of Tordarroch

Music

Movies

TV

Books

Awards

Trivia

She was awarded an honorary C.B.E. (Commander of the Order of the British Empire) in the 2001 Queens New Year Honours List for her services to drama.

At the Evening Standard Theatre Awards she was named Best Actress for Medea performed at the Queeens Theater in London.

She was awarded the Laurence Olivier Theatre Award in 1990 (1989 season) for Best Actress in a New Play for "Electra", "As You Like It" and "The Person of Sichaun".

She was awarded the Laurence Olivier Theatre Award in 1994 (1993 season) for Best Actress in her performance for "Machinal" at the Royal National Theatre.

She was awarded the 1993 London Evening Standard Theatre Award for Best Actress for her performance in Machinal.

She was awarded the 1991 London Critics Circle Theatre Award (Drama Theatre Award) for Best Actress for her performance in Hedda Gabler.

She was awarded the 1989 London Critics Circle Theatre Award (Drama Theatre Award) for Best Actress for her performances in Electra and The Good Person of Sichuan.

She was awarded the 2001 London Evening Standard Theatre Award for Best Actress for her performance in Medea at the Queens Theatre in London, England.

Became an Associate Member of RADA.

Graduated from RADA.

Was nominated for Broadways 2003 Tony Award as Best Actress (Play) for playing the title character in "Medea."

In the Independent on Sunday [UK] 2006 Pink List - a list of the most influential gay men and women - Fiona Shaw came no. 69, a new entry.

Born to an eye surgeon and his wife, a physicist.

Following an unhappy experience playing Kate in "The Taming of the Shrew" for Jonathan Miller (Miller would not extend himself to allow the inclusion of modern sexual politics), she has only occasionally worked with male directors. Her collaboration with Deborah Warner has produced a string of daring performances and an armful of theatre awards.

She won the Bancroft Gold Medal at RADA and made her professional debut as Rosaline in "Loves Labours Lost" in 1982.

Graduated from University College Cork.

Attended secondary school at Scoil Mhuire in Cork City.

Former longtime companion of Saffron Burrows from 2002 to 2005.

Throughout the Harry Potter movie series, Shaw played "Petunia Dursley", Harry Potters aunt, who had a strong aversion to any mention of or person connected to witchcraft or wizardry. Soon after finishing the last Potter movie, she started playing a witch possessed by a much-more powerful witch on the TV show, "True Blood" .

Lives within earshot of London Zoo (Regents Park).

A fitness enthusiast, Shaw commutes around her home base in London on her bicycle.

Quotes

Even when they have nothing, the Irish emit a kind of happiness, a joy.

I just think that things should be allowed to run their course, and not,turned into a Disney ride.

This whole tribal loyalty seems to have gone.

And by endlessly sanitizing our feelings, we actually feed a disgruntled,nation.

The word democracy has no meaning. Duty has gone. Only rights remain.

I think America becomes more disgruntled by going to the movies and,having an endlessly good time at them.

To be honest I live among the English and have always found them to be,very honest in their business dealings. They are noble, hard-working,and anxious to do the right thing. But joy eludes them, they lack the,joy that the Irish have.

There once was a demographic survey done to determine if money was,connected to happiness and Ireland was the only place where this did,not turn out to be true.

A relationship is sent by God and accident.

A lot of Irish people perform. They perform in drawing rooms. They sing,songs and they play piano.

The energy released by it is enormous and it becomes quite addictive,the power between the audience and the actor.

Every generation is obsessed with the decade before they were born.

I find it incredibly tedious, hate that it murders itself with its own,conservative pomposity.

I certainly had no intention of playing a man.

I can hardly decide what plays I should be in.

I would say the next imminent hot writers are often the writers from the,decade before you were born.

I would love to write the story of my upbringing in Ireland.

I had a ball doing Harry Potter.

One moment cannot be the most important.

Like a lot of Irish households we read a lot of Irish history. It was,almost Soviet, raising the next generation with a mythic view of their,history.

Irish people are educated not only about artistry but local history.

My mother taught me to read.

So I just play the character, I play the lines.

People who are good at film have a relationship with the camera.

The Americans are very clear, and obsessed with nouns.

Theater dates very quickly.

My mother adores singing and plays piano. My uncle was a phenomenal,pianist. My brother John is a double bassist. I used to play the piano,badly, and cello. My brother Peter played violin.

Also, an area that interests me - and it will probably take years to,state what I mean - is the period of the rise of democracy, with Tom,Paine, which is around the turn of the 18th century into the 19th.

There is a great relief in experiencing the worst vicariously.

There was no professional theater in Cork, but still I did a lot of,performing.

I once saw my mother playing Mary Magdalene in a parish event. But she,had to put the role aside in order to go and front the choir who were,singing at the same occasion. She left the stage halfway through the,Crucifixion.

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