Charles Martin

4/5

Biography

Charles Martin was born and raised in London. His debut drama The Giblet Boys for ITV won a BAFTA. Charles then directed the RTS Award winning My Life As A Poppat. In 2007 he won the BAFTA for Best Breakthrough Talent and went on to direct numerous episodes of the BAFTA winning and RTS nominated E4 show Skins written by Bryan Elsley starring Nicholas Hoult, Jack O'Connell and Kaya Scodelario. Charles directed Sir Kenneth Branagh in BAFTA winning Wallander for the BBC and then moved on to be nominated for an RTS Award for Channel 4 drama RUN. Charles then re-teamed with Kaya Scodelario to direct a specially commissioned 2 x 60min Skins Redux for Channel 4 before embarking on the ambitious New Worlds - a four part period piece starring Jamie Dornan. Charles has since directed episodes of the US version of The Returned in North America before heading to Scotland to direct an adaptation of the Iain Banks novel Stonemouth

  • Real name
  • Chaz Martin
  • Active years
  • 86
  • Primary profession
  • Actor
  • Country
  • United Kingdom
  • Nationality
  • British
  • Gender
  • Male
  • Birth date
  • 23 August 1819
  • Place of birth
  • Canton· Georgia
  • Death date
  • 1957-08-16
  • Death age
  • 83
  • Place of death
  • Simcoe· Ontario
  • Cause of death
  • Natural causes
  • Children
  • Kathleen
  • Education
  • Fordham University·École Centrale Paris·United States Military Academy·Cherokee High School
  • Knows language
  • French language·English language·Italian language·French language·English language·French language·English language·English language·English language·English language
  • Member of
  • Société académique d'architecture de Lyon
  • Parents
  • Charles William Martin

Movies

TV

Books

Awards

Trivia

Former competitor in kyokushin karate and member of the US national team. Participated in the 1975 Tokyo All-World Karate Tournament - the first international karate competition.

Quotes

You put a new heart in Emma a long time ago, it just wasn’t the kind you were thinking of. ” He laughed to himself. “Hope is an amazing thing. I saw it in Emma, saw it with my own eyes.

Never judge someone by their relatives.

Reese, your books might not tell you this, so I will. Every heart has two parts, the part that pumps and the part that loves. If you’re going to spend your life fixing broken hearts, then learn about both. You can’t just fix one with no concern for the other.

The books talked about it [the heart] as if it were a sump pump stuck down in the muck and mire of somebody’s backyard. Never in all my scientific reading did I encounter anything that talked about a broken heart. Never did I read anything about what the heart felt, how it felt or why it felt. Feeling and knowing weren’t important, only understanding,But what I knew in my head stayed up there, swirling about the other ten zillion things I had retained. That knowledge informed my actions, what I did and how I did it. What Emma knew filtered from her head down into her heart and informed who she was—what I have since come to call the Infinite Migration. If my wonderings about life were scientific, bent toward examination and physical discovery, Emma’s all leaned toward matters of the heart. While I could understand and explain the physics behind a rainbow, Emma saw the colors. When it came to life, I saw each piece and how they all fit together, and Emma saw the image on the face of the puzzle. And every now and then, she’d walk me through the door into her world and show it to me.

In the history of mankind, no single person yet has learned to swim by having the strokes explained. At some point, they dive in.

I am speaking from experience when I say that forgiveness offered - especially when so undeserved - cuts chains off the human heart that no other power in any universe anywhere can rattle much less break.

Forgiveness offered -especially when so undeserved - cuts chains off the human heart that no other power in any universe anywhere can rattle much less break. . . . love did what hatred can not and never will.

Child," she said placing her head to mine and her callused fingers on my cheek, "you can whip it and beat it senseless, you can drag it through the streets and spin on it, you can even dangle it from a tree, drive spikes trough it, and drain the last breath from it, but in the end, no matter what you do, and no matter how hard you try to kill it, love wins.

He traced a line in the dirt with his toe. ‘This is a battlefield. Has been since Cain killed Abel. And don’t let it get complicated. Gray it ain’t. It’s black and white. Good versus evil. You might as well choose sides right now.

Well. . . letting the cat out of the bag is a lot easier than putting it in.

I watched her—the way her shoulders moved with the tilt of her head, how her smile lit up the six people around her, how her hair, tucked behind her ears, framed her face like baby’s breath. I thought about how the sound of her heart beating sounded the rhythm for our dance atop the magnolia floor. I wanted to tell her all this, but didn’t know how. Just because something is broken doesn’t mean it’s no good. Doesn’t mean you throw it away. It just means it’s broken, and broken is okay. I wanted to tell her that broken is still beautiful, still works, still wakes me in the morning, and at the end of every day past and those to come, I can love broken.

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