Brian Michael Finn

4/5

Biography

  • Primary profession
  • Editorial_department·miscellaneous·editor
  • Gender
  • Male

Movies

TV

Books

Trivia

Turned down twice by the SUNY Purchase Film Conservatory. As a result, the accepted film students nick-named him "The Wannabe Film Student" (2000-2001).

Attended four colleges: Suffolk County Community College (1998-2000), SUNY Purchase (2000-2001), SUNY Oswego , and New York Institute of Technology (2003-2005).

Designed the cover for his fathers book, Pandoras Hope: A Short and to the Point Essential Guide to the End of the World.

Occasionally does freelance work as a graphic designer.

Creates surrealistic imagery with oil paint on canvas as a hobby.

Worked as a Production Assistant for a PSA with singer Marc Anthony in 2003.

In 2001, while at ABC, he stood in during rehearsal for "Who Wants to be a Millionaire" before the taping of a celebrity charity episode and played the game on the set. During the show, he was in the audience and sat behind Huey Lewis of Huey Lewis and the News with whom he discussed answers.

At the age of 15, Lyme Meningitis settled in his spine which could have resulted in him being in a wheelchair for the rest of his life if it wasnt found and treated. Lyme Meningitis is the direct result of an invasion of the nervous system by Borrelia burgdorferi.

At the age of 13 in 1993, he was a member of the Theatre Three Dramatic Academy in Port Jefferson, NY.

Worked as a production assistant on an infomercial for body builder, John Basedow.

From 2005 to 2007, he has edited over 500 commercials.

In 2005, he was the on-stage camera operator for Dee Sniders performance with Twisted Sister at the Patchogue Theater in New York.

Favorite movies include The Butterfly Effect and Romeo + Juliet .

Due to his knowledge of visual effects, director Andreas Schnaas allowed him to direct the sequence in Nikos the Impaler where Nikos throws the sword that cuts off half of the victims head leaving the tongue exposed. He also operated the camera on the dolly track to achieve the sword POV effect he was going for. Andreas later offered him the job of directing the sequel to the film, but due to internal conflicts between Andreas and the films producer, the sequel was never made.

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