The Nonesuch Guide To Electronic Music (1971) Music Album ⋆ CELEBRI

Beaver & KrauseThe Nonesuch Guide To Electronic Music

The Nonesuch Guide To Electronic Music

The Nonesuch Guide To Electronic Music

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Year
1971
Type
LP; Album; Repress; Stereo
Country
United States
Genre
Electronic Non-Music
Style
Modern Classical Experimental Education Sound Collage
Label
Nonesuch

Tracklist

#1 I. Peace Three3:08
#2 II. Signal Generators
#3 A. Sine Waveform
#4 1. Slow-Motion Audible Example0:05
#5 2. Composition0:50
#6 3. Harmonic Synthesis0:33
#7 4. Non-Harmonic Synthesis0:37
#8 B. Sawtooth Waveform
#9 1. Slow-Motion (Negative- And Positive-Going)0:12
#10 2. Composition0:34
#11 C. Rectangular Waveform
#12 1. Slow-Motion Audible Example (1/8-1/2)0:28
#13 2. Composition (Using 1/8, 1/7, 1/3, 1/2)0:35
#14 D. Triangular Waveform
#15 1. Slow-Motion Audible Example0:05
#16 2. Composition0:20
#17 -
#18 E. White Sound Composition0:13
#19 III. Control Generators
#20 A. Transient Generator, Amplitude, Frequency And Timbre Modulating In Slow-Motion0:08
#21 B. Sequential Voltage Sources. Composition1:55
#22 IV. Frequency Modulation
#23 A. Keyboard Control
#24 1. 12-Tone0:32
#25 2. Quarter-Tone (One Real Octave = 2 Keyboard Octaves)0:40
#26 3. Ditone (Four Real Octaves Played In Keyboard Range Of One Octave)0:31
#27 4. Portamento0:23
#28 -
#29 B. Ribbon Control0:30
#30 C. Periodic
#31 1. Vibrato Ⓢ (Speed Increases As Pitch rises)0:28
#32 2. Sine-Higher Frequency0:27
#33 3. Sawtooth-Swept0:38
#34 4. Rectangular 1/2-Swept L20:32
#35 5. Triangular-Swept0:31
#36 D. Periodics Combined
#37 1. 3 Square Waves At Different Frequencies0:28
#38 2. 3 Triangular Waves At Different Frequencies0:37
#39 4 Different Waveforms 2L 2N 2V 2S At Different Frequencies0:46
#40 -
#41 E. White Sound0:12
#42 F. Transient
#43 1. Up An Octave, Back To Pitch0:17
#44 2. Up A 3rd, Back To Pitch0:07
#45 3. Down An Octave, Back To Pitch0:09
#46 4. Down A 3rd, Back To Pitch0:13
#47 V. Amplitude Modulation
#48 A. Keyboard0:13
#49 B. Ribbon Controller0:10
#50 C. Periodic
#51 1. Tremolo0:25
#52 2. Sine-Higher Frequencies (S Sweeping S)0:47
#53 3. Sawtooth (Negative- And Positive-Going Swept)1:20
#54 4. Rectangular-L2 Swept0:28
#55 5. Triangular-Swept0:50
#56 D. Periodics Combined
#57 1. 4 Square0:44
#58 2. 3 Triangular0:23
#59 3. 4 Different Ⓢ, Ⓝ, 2L, Ⓥ0:23
#60 -
#61 E. White Sound0:38
#62 F. Transient
#63 1. Slow0:08
#64 2. With Rising Pitch0:15
#65 3. ∧∧∧∧∧0:14
#66 VI. Ring Modulation
#67 A. Sine Waves
#68 1. Series Of Sub-Audible Constants2:00
#69 2. Tune In Parallel0:40
#70 3. Tuned In Opposite Direction0:30
#71 -
#72 B. Sawtooth0:33
#73 C. Rectangular L20:39
#74 VII. Filtering
#75 A. White Sound - With Fixed Filters Selected 3rd Octave0:25
#76 B. White-Sound-Tuned Filters
#77 1. Broad0:43
#78 2. Sharp0:25
#79 -
#80 C. Low-Frequency Sawtooth-Tuning Through Harmonics1:05
#81 D. Composition-Tuning Through 2nd, 3rd, 7th And 16th Harmonics0:50
#82 E. Swept With Ribbon Controller0:40
#83 F. Periodic
#84 1. Sine-Timbre Vibrato Effect0:25
#85 2. Sine-Variable Rate And Depth0:36
#86 3. Sawtooth (Descending And Ascending)0:50
#87 4. Rectangular
#88 G. Transient (Sawtooth With Transient Controlled Filter)
#89 1. -----------------0:12
#90 2. -----------------0:10
#91 3. ------------------0:09
#92 4. ------------------0:08
#93 VIII. Tape Delay
#94 A. Single Repeat0:13
#95 B. Multiple Repeat2:55
#96 -
#97 IX. Peace Three (Recap)3:08

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