Award of the Argentinean Academy |
| Best Actor |
| Best Actress |
| Best Art Direction |
| Best Cinematography |
| Best Costume Design |
| Best Director |
| Best Editing |
| Best Film |
| Best Make Up |
| Best Music |
| Best New Actor |
| Best Sound |
| Best Supporting Actor |
| Best Supporting Actress |
Silver Condor |
| Best Cinematography (Mejor Fotografía) |
| Best Director (Mejor Director) |
| Best Editing (Mejor Montaje) |
| Best Film (Mejor Película) |
| Best Music (Mejor Música) |
| Best New Actor (Mejor Revelación Masculina) |
| Best Sound (Mejor Sonido) |
| Best Supporting Actor (Mejor Actor de Reparto) |
| Best Supporting Actress (Mejor Actriz de Reparto) |
AFCA Award |
| Best International Film (Foreign Language) |
ACCA |
| Best Foreign Language Film |
BAFTA Film Award |
| Best Film not in the English Language |
Best Actress |
Critics Choice Award |
| Best Foreign Language Film |
Palme d'Or |
COFCA Award |
| Best Foreign Language Film |
Chlotrudis Award |
| Best Director |
| Best Movie |
| Best Original Screenplay |
Cinema Brazil Grand Prize |
| Best Foreign-Language Film (Melhor Filme Estrangeiro) |
DFWFCA Award |
| Best Foreign Language Film |
David |
| Best European Film (Miglior Film dell'Unione Europea) |
Audience Award |
| Best Film |
Amphore d'Or |
Gold Derby Award |
| Foreign Language Film |
Goya |
| Best Director (Mejor Director) |
| Best Editing (Mejor Montaje) |
| Best Film (Mejor Película) |
| Best Iberoamerican Film (Mejor Película Iberoamericana) |
| Best Lead Actor (Mejor Actor Principal) |
| Best Makeup and Hairstyles (Mejor Maquillaje y Peluquería) |
| Best Original Score (Mejor Música Original) |
| Best Original Screenplay (Mejor Guión Original) |
| Best Production Manager (Mejor Dirección de Producción) |
Film Award |
| Best Adaptation |
Art Cinema Award |
Best Director |
| Best Film |
ICS Award |
| Best Supporting Actress |
José María Forqué Award |
| Best Picture |
Audience Award |
| Best Feature |
Audience Award |
| Best Foreign Language Film |
| Best Narrative Feature |
Premio Guarani |
| Best Foreign Film |
SFFCC Award |
| Best Foreign-Language Film |
Audience Award |
| European Film |
Audience Award |
| Best Foreign Feature Film |
Audience Award |
| Best Feature Film |
Seattle Film Critics Award |
| Best Foreign-Language Film |
Platino Award |
| Best Actor |
| Best Actress |
| Best Art Director |
| Best Cinematography |
| Best Director |
| Best Editing |
| Best Film |
| Best Original Music |
| Best Screenplay |
| Best Sound |
Founders Prize |
| Special Award |
WAFCA Award |
| Best Foreign Language Film |
Damián Szifron's 'Wild Tales' is a deliriously creative, deliciously diabolical anthology film about modern day violence. It is an outrageous collection of shorts set in Szifron's homeland—a sextet of improbable shaggy-dog stories, insane urban legends and entertainingly twisted cautionary yarns of the sort that people dispense during a night of heavy drinking, tied together by violent themes.
Like it or not, you can't say that Wild Tales isn't at least something a little fresh in the lame movie industry.This is a Spanish film which should be seen with subtitles if you don't understand Spanish.
I don't have a that much movie knowledg. But pretty sure (for me) this movie is the movie of the decade.
Wild Tales (2014) :Human Anthology composed by Six Wild stories of Vengeance and Violence. This idea has hit me hard, truly.
6 tales with different levels of comedy or darkness stories happen so fast and drastic, that at some points i felt like im in a heavy metal concert!
I'd like to imagine that if Luis Bunuel's grandson (or maybe grand-daughter, who knows) had the same temperament and filmmaking go-for-broke sense of death-defying comedic satire, and grew up on a diet of Tarantino scripts, he/she might make something like Wild Tales. Or perhaps there's also a touch of Kafka to some of this - people who are put into completely insane situations that start from something typical (a guy who flips off or a guy getting flipped off while driving, or a guy getting his car towed), or not so much (a groom's infidelity discovered by the bride right in the middle of the wedding reception, or a negotiation by rich men over how to save a kid from going to jail for running someone over).
I never wanted this movie to end. I even started watching it again once it got finished.
The five separate tales here are so uneven that it is unbelievable they all came from the same director, unless he has split personalities ranging from 'inspired' to 'grade-B wannabe'.Without revealing the plot here are the five:1) 'Flight' thingy - a little over-contrived but still an interesting and suitable short intro to the suite2) 'Road Rage' thingy - the best of the lot.
