EDA Award |
| Best Non-English Language Film |
AFCA Award |
| Best International Film (Foreign Language) |
ACCA |
| Best Foreign Language Film |
BAFTA Film Award |
| Best Film Not in the English Language |
British Independent Film Award |
| Best Foreign Independent Film |
Critics Choice Award |
| Best Foreign Language Film |
Vulcain Prize for the Technical Artist |
COFCA Award |
| Best Foreign Language Film |
CFCA Award |
| Best Foreign Film |
Cinema Brazil Grand Prize |
| Best Foreign-Language Film (Melhor Filme Estrangeiro) |
DFWFCA Award |
| Best Foreign Language Film |
DFCS Award |
| Best Foreign Language Film |
European Film Award |
| European Composer |
| European Production Designer |
Chainsaw Award |
| Best Actor |
| Best Foreign-Language Film |
| Best Screenplay |
| Best Supporting Actress |
Film and Literature Award |
FFCC Award |
| Best Foreign Language Film |
Fotogramas de Plata |
| Best Movie Actor (Mejor Actor de Cine) |
| Best Movie Actress (Mejor Actriz de Cine) |
Dorian Award |
| Film of the Year |
Gold Derby Award |
| Foreign Language Film |
Goya |
| Best Adapted Screenplay (Mejor Guión Adaptado) |
| Best Cinematography (Mejor Fotografía) |
| Best Costume Design (Mejor Diseño de Vestuario) |
| Best Director (Mejor Director) |
| Best Editing (Mejor Montaje) |
| Best Film (Mejor Película) |
| Best Lead Actor (Mejor Actor Principal) |
| Best Lead Actress (Mejor Actriz Principal) |
| Best Make-Up and Hairstyles (Mejor Maquillaje y/o Peluquería) |
| Best New Actor (Mejor Actor Revelación) |
| Best New Actress (Mejor Actriz Revelación) |
| Best Original Score (Mejor Música Original) |
| Best Production Design (Mejor Dirección Artística) |
| Best Production Manager (Mejor Dirección de Producción) |
| Best Sound (Mejor Sonido) |
| Best Special Effects (Mejores Efectos Especiales) |
Hollywood Film Award |
| Composer of the Year |
HFCS Award |
| Best Foreign Language Film |
ICS Award |
| Best Adapted Screenplay |
| Best Film Not in the English Language |
| Best Original Score |
INOCA |
| Best Makeup and Hairstyling |
| Best Non-English Language Film |
| Best Original Score |
IOMA |
| Special Prize for the Best European Film (Premio speciale al miglior film europeo) |
José María Forqué Award |
| Best Actress |
| Best Picture |
ALFS Award |
| Foreign Language Film of the Year |
| Technical Achievement of the Year |
NYFCC Award |
| Best Foreign Language Film |
OFCC Award |
| Best Foreign Language Film |
OFTA Film Award |
| Best Foreign Language Film |
OFCS Award |
| Best Foreign Language Film |
PFCS Award |
| Best Foreign Language Film |
Premio Guarani |
| Best Foreign Film |
Prisma AEC Award |
| Best Cinematography in feature films |
Rondo Statuette |
| Best Film |
Sant Jordi |
| Best Spanish Actress (Mejor Actriz Española) |
| Best Spanish Film (Mejor Película Española) |
SEFCA Award |
| Best Foreign Language Film |
Newcomer Award |
| Male (Categoría Masculina) |
WAFCA Award |
| Best Foreign Language Film |
WFCC Award |
| Worst Male Images in a Movie |
World Soundtrack Award |
| Soundtrack Composer of the Year |
Yoga Award |
| Worst Spanish Actor |
| Worst Spanish Actress |
Even a long-standing passion for Almodovar like my wife's and mine could not save this from being his his worst film we have seen, ever (I hope we should not say "to date"). Starting from a superficial, almost childish depiction of the deviant surgeon's research this movie does little else than indulging in clichés.
The most interesting thing about Almodóvar's new film is how polarizing the reviews I read on IMDb are. It's his best film.
A film directed by Pedro Almodovar is always going to be weird, but this one is off the scale. A brilliant plastic surgeon Antonio Banderas) kidnaps the handsome young junkie who raped his daughter and exacts a ghastly revenge.
Almodovar, for me, is a talented director who makes hits and misses. 'Talk to Her', I believe, is his best film to date there are a couple of contenders for his worst.
A brilliant plastic surgeon (Antonio Banderas), haunted by past tragedies, creates a type of synthetic skin that withstands all kinds of damage. His experimental patient is a mysterious and volatile woman (Elena Anaya) who holds the key to his obsession.
Only the fact that this is a trendy foreign language film can have saved this film from the universal panning it so richly deserves. Weak attempts at humor created nervous titters in an audience who came believing they were to see an intelligent artistic piece and instead were subjected to poor special effects, science fiction with no science and characters whose actions were bewildering and obscene at the same time.
Love movies with a twist! it keeps you captivated and asking yourself whst happens next!
Definir esta película sin haber visto otras de Almodóvar me parece realmente complicado y mucho más sin desvelar nada de la trama. Almodóvar es capaz de crear un guión a partir de las más 'absurdas' ocurrencias y en vez de crear una comedia crea una compleja trama rebuscando en las entrañas de sus personajes.
There are two dream sequences in this film attributed to two of the main characters. The biggest dream however is the one you went to watch.
