Bodil |
| Best Actor (Bedste mandlige hovedrolle) |
| Best Film (Bedste danske film) |
| Best Supporting Actress (Bedste kvindelige birolle) |
Robert |
| Best Actor (Årets mandlige hovedrolle) |
| Best Cinematography (Årets fotograf) |
| Best Director (Årets instruktør) |
| Best Film (Årets danske spillefilm) |
| Best Production Design (Årets scenograf) |
| Best Screenplay (Årets manuskript) |
| Best Song (Årets sang) |
| Best Sound (Årets lyd/sounddesign) |
| Best Special Effects (Årets special effects) |
| Best Supporting Actress (Årets kvindelige birolle) |
Ole |
| Best Film (Bedste film) |
| Best Supporting Actor (Bedste mandlige birolle) |
| Best Supporting Actress (Bedste kvindelige birolle) |
Zulu |
| Best Actor (Årets danske skuespiller) |
| Best Actress (Årets danske skuespillerinde) |
Decent comedy-drama. The drama side is a bit weak, but the movie is quite funny at times.
Danish director Ole Christian Madsen must have felt the need for a change of pace and setting from his usual style. While his other films are tight, well-composed dramas, SuperClásico benefits from a loose, more free flowing construction and as the film plays out you realize that style and mood are a perfect match.
It is definitely not politically correct either. The movie that centers between a failed relationship and the consequences (which result in traveling) of the same.
Very cliché representation of the Latin idiosyncrasy. As Argentinean myself, I can hardly recognise many of the characters who seem to respond more to the understanding that Europeans seem to have of South America when thought from afar.
