I am not overly fond of Anthony Asquith as a director. I tend to find his films stilted but I have to admit that he has done a good job with FANNY BY GASLIGHT.
Another of the very popular Gainsborough Pictures productions made in England in the mid-40's, "Fanny By Gaslight" might just be somewhat transparent, sensationalist and sentimental sub-Dickensian entertainment, but for all that, I happily enjoyed it and can readily comprehend its success with its wartime viewing public.Adapted from a hit novel of the day, its story, set in late 19th century London revolves around young Fanny, Phyllis Calvert, in another of her do-gooder period-roles, who we first see as a child and who it's fair to say, enjoys an unconventional childhood.
Fanny (Phyllis Calvert) is a lovely young lady who, through no fault of her own, is persecuted throughout the story due to her heritage. It seems that her father was an important nobleman and she didn't even know it.
Poorly paced, but highly entertaining, and quite thought-provoking melodrama. It is typical Gainsborough fare: shrouded Victorian settings; innocent, swooning heroines, who have the most godawful horrors thrown at them in an unenviably short stretch of time; 'dashing' (i.
Fanny by Gaslight is an inspirational film, in that it is willing to take risks with the subject matter which not only questions British morals, but exposes its hypocrisy regarding them! James Mason illustrates the depth of his talent, and makes the film all the more worth watching.
Fanny By Gaslight was one of Gainsborough Pictures romances starring its greatest stars, Phyllis Calvert, Stewart Granger, and James Mason all in their salad days. It's a Victorian soap opera with a lot of Dickens like class consciousness thrown into the mix.
Puffin Asquith was one of the finest English film directors in the mid twentieth century but he was most at home in contemporary settings, working especially fruitfully with Terence Rattigan. He was, therefore, not an ideal choice for Victorian soap opera and unfortunately it shows.
Ann Stephens (Fanny) is sent to boarding school and returns home as Phyllis Calvert (Fanny) to look after her family. However, things take a turn when her true identity is revealed.
