Land and Shade
Land and Shade (2015)

Land and Shade

2/5
(16 votes)
7.1IMDb

Details

Awards

AFI Fest 2015


Audience Award
New Auteurs

Cannes Film Festival 2015


Golden Camera

International Cinematographers' Film Festival Manaki Brothers 2015


Golden Camera 300
Best Cinematography
Main Competition Camera 300

International Film Festival of India 2015


ICFT-UNESCO Fellini Award

Jerusalem Film Festival 2015


FIPRESCI Prize
International First Film

Lima Latin American Film Festival 2015


Spondylus Trophy
Best Cinematography

Mumbai Film Festival 2015


International Competition
Achievement in Directing

Munich Film Festival 2015


CineVision Award
Best Film By An Emerging Director

Premios Fénix (Fenix Film Awards) 2015


Premio Fénix
Best Cinematography

Premios Macondo 2016


Premios Macondo
Best Art Direction
Best Director
Best Film
Best Screenplay

San Sebastián International Film Festival 2015


Horizons Award
Horizontes Latinos

São Paulo International Film Festival 2015


International Jury Award
Best Feature Film

Thessaloniki Film Festival 2015


Golden Alexander
International Competition
Special Jury Award

Reviews

One can see a large scale banyan tree surrounded by an equal vast, mysterious yet ambiguous milieu. There is a house, in other words, a cottage, and a road, surrounded and guarded by large crops.

Land and Shade is a Columbian film that is extremely slow and was very difficult for me to finish. The actors all showed little in the way of energy or emotion and the direction was very slow and deliberate.

Beautifully shot, full of long contemplative takes, this story of the hardship of a family who work for a sugar-cane farm in rural Columbia has many powerful moments, and much righteous anger at what the large farm does both to the local ecology and to the underpaid (or NOT paid) workers. And it only grew on 2nd viewing when I went into it prepared for it's slow pace and understated and quiet emotionality.

Not everybody's pick of the year. Everybody does not know this film even exist.

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