Guinness World Record |
| First 3D Movie in Colour |
I will admit that "Bwana Devil" is not a great movie, but to compare this groundbreaking 3-D movie to "Plan 9 From Outer Space" is utterly ridiculous, as "Bwana Devil" is not bad--but it is slightly below average. The negatives are Robert Stack's overacting and forgetting his accent frequently as well as a few cheesy scenes (seeing a stuffed lion tossed on Nigel Bruce when he was supposedly being attacked was unintentionally funny).
An interesting premise, based on a true life story of two man eating lions but unfortunately, poorly executed. Leading man Robert Stack lacks charisma and the film at only 1 hour and 20 minutes, still drags and, at times, is ludicrous.
I saw it the first day of its first run release at the Chicago Theater in Chicago in 1952. 'Bwana Devil' was the brainchild of radio director, Arch Oboler.
I admit I have not seen this movie in 3D, nor is it germane to my opinion. As another reviewer notes, this movie elevates "Plan Nine From Outer Space", which was made with virtually no budget, to "good movie" level.
The first film shot in 3D finds an inebriated Robert Stack pining away for his fiancé and trying to get a railway constructed in the heart of Africa at the turn of the last century. He's in British Equatorial Africa which later became Kenya colony and where the Sahara meets the veld.
Unlilke many other user comments, I really appreciated this little adventure movie. I expected a corny film, boring and nasty, as so some Sam Newfield are, such Nabonga and White Pongo...
I was an usher at the Paramount Theater in Aurora, IL when this came out. The first 3-D movie.
Bwana Devil is reputedly the first major studio, full length feature filmed entirely in the 3D process. Supposedly producer Oboler went to Africa to shoot a different movie, but after hearing the tale of two man-eating lions, terrorizing railway builders, decided on this one.
Based on a true story. Bwana Devil, filmed in Natural Vision 3-D,came out at a time when movies were competing with the growing popularity of television, which was keeping audiences out of theaters in droves, Arch Obler's thiller has some spectacular photography of the African plains and is somewhat of a documentary.
