Audience Award |
Best Narrative Feature |
Audience Award |
Audience Choice Award |
Audience Choice Feature |
Audience Award |
Feature Film |
Audience Favorite Choice Award |
Narrative Feature |
Audience Award |
International |
Festival Prize |
Narrative Feature Film |
American Independent Award |
Best Feature Film |
Best Narrative Feature |
Narrative Feature Film |
Audience Award |
Best Film |
Award This! Feature |
Best Director |
Grand Jury Award |
Best Narrative Feature |
Feature Film |
Best Film from the American Continent |
Jury Prize |
Best Screenplay |
Audience Award |
Favorite Narrative Feature |
German Independence Award - Audience Award |
Best Film |
Outstanding Performance by an Actress |
Audience Award |
Feature Films |
Audience Award |
Best Picture |
RIFF Jury Award |
Best Feature |
Audience Award |
Best Feature |
Cinema St. Louis Award |
Outstanding Achievement in Film |
Audience Choice |
Best Feature |
Audience Award |
Festival Award |
Audience Award |
Narrative Feature |
Audience Award |
Narrative Feature |
I can't think of 2 more aggravating and pathetic characters in a film. It's not that the script isn't good/original, because it is.
Mirvish and company, working from Jules Fieffer's long lost script, crafted a smart, funny, and thoughtful film. The camera moves effortlessly in subtle ways, making this dialogue rich script float along.
This film defies gravity, which is kindof a miracle. I was shocked because it's one of the stronger artistic products I've seen by a creator who had been well known for his work in the industry - Mirvish has directed films before, but he's also written helpful books on independent filmmaking and promotion and was a principal at the Slamdance Film Fest.
From a jules Feiffer script kicking around from a long time, we have the story of Bernie and huey, two "adult" males, still waiting to grow up. the story, told with flash backs of their younger selves, is not without charm.