A Faithful Man

Second movie as a director for Louis Garrell, and (as in Two Friends) he pays tribute to the cinema that made him the director (and actor) he is today. The only problem is (for me) the conclusion of his movies, always quickly solving the good intuition of the start.

First, let me celebrate the 60 years in the business that Jean-Claude Carriere will soon mark. He'll turn 90 next year, and this old collaborator with Luis Bunuel, Louis Malle and so many other great directors is still writing lovely scripts.

Wow, this was bad. it was marketed as a"feminist take on the rom-com' but coming from Louis Garrel who displayed his deep misogyny with his signing onto a petition calling for the release of director Roman Polanski after his arrest in relation to his 1977 charge for drugging and raping a 13-year-old girl -- I doubt the he has the sensibilities for any "feminist take.

I love so much frenh movies, but this one is not good rw4981240 DaveByDaylight "OK K.O.!

The film is a french rom-com that sometimes hints at being some kind if neo-noir, but none of the build up is ever well payed. It has some interesting choices, but it's cinematography is dull.

On the face of it, this is just a simple romantic comedy. The three leading characters all engage in a bit of swapping and sharing.

First time for me to watch a 70 mins full movie but it turned out great. This and the fast pacing of the scenes were enough to show the life of Abel.

At 1:15, plays like a short story. Superficially, this is another featherweight melodrama about modern French relationships, many which, like Rohmer's work, were essentially updates on Renoir's classic LA RONDE.

I like romantic French movies, they revolve around the dynamics of relationships not in a 'rom-com shallow' way, at least most of the time. This movie is no exception - the plot is believable, I can imagine it happening exactly the same way in real life.