Storytelling for Film and Television

Name: Storytelling for Film and Television
ISBN: 9780815371793

2/5

(2 votes)

Storytelling for Film and Television is a theory and practice book which offers a definitive introduction to the art of storytelling through writing, directing, and editing.

Author Ken Dancyger provides a comprehensive explanation of the tools that underpin successful narrative filmmaking and television production.

The book takes a unique approach by connecting the different phases of the creative process of film and television production.

It shows how writing, directing, and editing all contribute to the process of storytelling and function together to advance the narrative goals of a screenplay, to tell the best story.

A case study approach provides numerous examples of effectiveness and brings together the core areas of aesthetics and production to make these concepts more accessible.

Case studies include classic and modern films, foreign films, limited and series television, with examples including Breaking Bad, Game of Thrones, The Revenant, and Son of Saul.

This is the ideal text for film and television production students at all levels.

It is written in a style which makes it accessible to anybody interested in learning more about the storytelling process and is written for a global audience addressing a global industry.

First published: 2019
Publishers: Taylor & Francis Group
Subjects: Motion picture authorship·Television authorship·Motion pictures·Production and direction·Television·Production and direction

About Ken Dancyger

Ken Dancyger is the author or co-author of seven books on screenwriting, directing, film editing and production. They are The Technique of Film and Video Editing (5th edition), Focal Press, 2010; The Director's Idea, Focal Press, 2006; Alternative Scriptwriting (4th edition), Focal Press, 2006 (with Jeff Rush); Writing the Short Film (3rd edition), Focal Press, 2005 (with Pat Cooper); Global Scriptwriting, Focal Press, 2001; The World of Film and Video Production, Harcourt Brace, 1999; Broadcast Writing, Focal Press, 1991. Each is a theory/practice book rather than a how-to book. There have been fourteen translations of his books, including Chinese, Portuguese, Italian, Spanish, Korean and Arabic. Two of his books, Alternative Scriptwriting and The Technique of Film and Video Editing are considered definitive in their respective areas and are core texts at top film programs worldwide.Ken conducts screenwriting and post-production workshops internationally for the past eighteen years, including South Africa, The Netherlands, Germany, Switzerland, Portugal, Belgium, the United Kingdom, Columbia, Singapore, Australia and Canada. He is active as a script consultant in the United States and throughout Europe and Asia.Ken is past Chair of Undergraduate Film and Television, TISCH School of the Arts, New York University, where he is a Full Professor.Current writing projects include a book about Genre Scriptwriting, a book entitled The Greatest: Hollywood in 1939, a personal memoir, The War That Never Ended and Murder Not Permitted, his first novel.______________________________________________________EDUCATION:B. Comm., M.A., Toronto; M.S., Boston_____________________________________________________...

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