Learn the creative and technical essentials of documentary filmmaking with Documentary Voice & Vision.
This comprehensive work combines clear, up-to-date technical information, production techniques and gear descriptions with an understanding of how technical choices can create meaning and serve a director's creative vision.
Drawing on the authors' years of experience as documentary filmmakers, and on interviews with a range of working professionals in the field, the book offers concrete and thoughtful guidance through all stages of production, from finding and researching ideas to production, editing and distribution.
Documentary Voice & Vision will help students and aspiring filmmakers think though research and story structure, ethics, legal issues and aesthetics, as well as techniques from camera handling to lighting, sound recording and editing.
The book explores a full range of production styles, from expository to impressionistic to observational, and provides an overview of contemporary distribution options.
Documentary Voice & Vision is a companion text to Mick Hurbis-Cherrier's Voice & Vision: A Creative Approach to Narrative Film and DV Production, and employs a similar style and approach to that classic text.
This text is written from the perspective of documentary filmmakers, and includes myriad examples from the world of non-fiction filmmaking.
A robust companion website featuring additional resources and interactive figures accompanies the book.
South African tennis player...
Catherine Anderson
Gillian Anderson
Roy Anderson
David Anderson
Erin Kelly
Timothy John Kelly
Jack Kelly
Stephen A. Anderson
Emma O'Kelly
Leslie Kelly
Kelly Barnhill
Kelly Bennett
Erin Kelly
Kelly Hayes
Jennifer Lynn Kelly
Kathy Geary Anderson
Mary Louise Kelly
Joel D. Anderson
Kelly Smith Trimble
Jennifer Savran Kelly
Kelly Tian
Kelly Hernandez
Diane Kelly
Lucy Kelly Desmond
Michael Kelly
Vicki Anderson
Kelly Minter
Eugene Kelly
Michael A. Anderson
Anderson, Peter J.
David A. Kelly
Kelly DiPucchio
Jennifer Lynn Kelly
Kelly Barnhill
Mike Anderson
Kelly Smith Trimble
Kelly James Clark
Jennifer Savran Kelly
Ian Anderson
Kelly Wu
Diane Kelly
E. V. Kelly
Kelly Ripa
John Anderson
Robert Anderson
Bryan Kelly
Kelly Long
Kelly Callaghan
Teresa Swanstrom Anderson
Kelly Anne Blount
Kelly Brogan
Paula Anderson
Jazeel Jazeel Anderson
Kelly Regan Barnhill
Gillian Kelly
Akiesha N. Anderson
Kelly Starling Lyons
Donna Anderson
Josh Anderson
Ian McDonald
James Lyons
Documentary, performance and risk explores how some of the most significant recent american feature documentaries use performance to dramatically animate major categories of risk.
Monica Michlin
This book is the first comprehensive study of documentary film on the iraq war.
C. Lofgren
Dorothea Lange
Roger Hallas
Lilya Kaganovsky
Beginning with robert flaherty's nanook of the north (1922), the majority of films that have been made in, about, and by filmmakers from the arctic region have been documentary cinema.
Chris CONTI
Adam Nagourney
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.
Andy Richter
Jodie Alexandra Taylor
Rosalind Solomon
Kiki Tianqi Yu
Shweta Kishore
Alison J. Murray Levine
Benita Suchodrev
Sean Hillen
Bill Nichols
The third edition of bill nichols's best-selling text provides an up-to-date introduction to the most important issues in documentary history and criticism.
Ville Lenkkeri
Bill Nichols
The third edition of bill nichols's best-selling text provides an up-to-date introduction to the most important issues in documentary history and criticism.
John A. Duvall
Keyzer C. De
Peter Sutoris
Visions of development presents first-hand stories of groups and movements from many different religious and spiritual traditions that are working with impoverished communities in africa, asia and latin america.
Rahat Imran
This book, the first academic book on pakistani documentary cinema, traces the development of activist filmmaking practices in pakistan which have emerged as a response to the consequences of religious fundamentalism, extremism, and violation of human rig.
Tracey Friesen
Story money impact: funding media for social change by tracey friesen is a practical guide for media-makers, funders, and activists who share the common goal of creating an impact with their work.
Michael Rabiger
Tens of thousands of readers have benefited from michael rabiger's classic text on documentary filmmaking, now updated to reflect the revolutionary switch to digital video equipment and software.
Guillaume Bonn
Wolfgang Fuhrmann
Alexandra Juhasz
Bhuvneshwar Singh Bhuvan
Monique Vescia
Simone Moraldi
J. Chapman
Kuei-fen Chiu
Diana Scheunemann
Germany) DOK.forum (2013 Munich
Anthony Q. Artis
So you want to make a documentary, but think you don't have a lot of time, money, or experience?
Gordon Parks
In 1948, gordon parks began his professional relationship with life magazine that would last 22 years.
Marie-Helen Maras
Robert Polidori
Robert polidori is known for his large format photographs of habitats and rooms saturated with the traces of human intervention.
Osvaldo Tcherkaski
Wojciech Walanus
Agnieszka Piotrowska
This distinctively interdisciplinary approach to the subject encompasses filmmaking, psychoanalysis, philosophy and popular culture and offers a unique insight into documentary film practice from a psychoanalytic perspective.
Gotelind Mueller
Documentaries have recently become a favourite format for chinese state-directed media to present an officially sanctioned view of history.
Joshua Malitsky
In the charged atmosphere of post-revolution, artistic and political forces often join in the effort to reimagine a new national space for a liberated people.
Joel Sternfeld
Marco Bertozzi
Ian Aitken
The concise routledge encyclopedia of the documentary film is a fully international reference work on the history of the documentary film from the lumiere brothers' workers leaving the lumiere factory (1885) to michael moore's fahrenheit 911 (2004)..
David William Foster
Carol Payne
David Moore
Jason Middleton
Despite the prominence of "awkwardness" as cultural buzzword and descriptor of a sub-genre of contemporary film and television comedy, it has yet to be adequately theorized in academic film and media studies.
Thierry Roche
Kay Hoffmann
Charles Hollander
al-Hādī Khalīl
Rick Smith